fashion book review

One of my favourite books is “Women in Clothes“. Truth to be told, I haven’t read it in a while, but I still appreciate every page of it and will definitely have a re-read at some point. It’s somehow such an inspiring read filled with such diverse and wonderful women, and it raises some really thought-provoking questions to ask yourself. If you want to know more about the book, you can read about it here, but for today I wanted to focus on one specific question in the survey…

Are you generally a good judge of whether what you will buy will end up being worn? Have you figured out how to know in advance?

As someone trying to do their best in creating the most ethical and sustainable wardrobe possible, I think about what I buy a lot before actually purchasing it. I’m not going to lie and say I do this in all aspects of my life, because I don’t know where my bedding is made or how the mugs I drink from were produced, but when it comes to my clothes I can assure you that I try to be as conscious about things as I can be. So when it comes to working out whether I will actually wear something, I believe I have started to nail the process on the head.

Generally these days, I don’t shop on the high street. I don’t even step foot in places like Primark anymore because they just don’t interest me and I know I don’t agree with how their company works, so that does whittle down the decision process a little.

I don’t have to think about where something is made because generally, I’m shopping from places that base their work around exactly that – transparency. I’m hopefully going to be doing a post to re-launch my ethical directory, but if you want to see where I shop from beforehand, I guess you could go take a look at it now anyway…

That doesn’t, however, get rid of the sustainability factor. A big factor of shopping ‘slow fashion’ is cutting down on your consumption of products so that you don’t have as much waste in the future, and so that we can start lowering the amounts of items made. We’re all guilty of getting rid of clothes and that can be for several reasons; the fit, the style, a fault, or like the point of this post, just realising we should never have bought it in the first place.

Trying to think about what I already have is one of the most important things, which leads me on to part of the advice section below, about trends. I personally believe that trends are one of the biggest reasons we don’t end up wearing what we buy.

In the moment it might seem like a great idea, but a few months later when yet another trend is cropping up, you’ll be wanting to get rid of the old and get back in with the new. So… how do we avoid that and know we’ll actually end up wearing what we’re buying?

Ask yourself if it’s a trend piece…

As I said above, trends really are a big reason as to why we as consumers waste so much. They’re made so that companies can continue to make profits; if you’re always made to feel like you’re missing out, then you’re always going to want to buy what’s there before it’s gone. Ask yourself if it’s really going to be something you’ll want to wear next season, and the next, or whether it’s something that is only there for the ‘hype’.

Does anything you own already match?

I had this dilemma with a coat recently. It was faux leopard print fur in a bright blue colour, and it looked pretty awesome; granted it was second-hand and that would have been perfectly fine to wear, but if it hadn’t had been, it would have been a bit of an obscure purchase to buy when what I’m wearing currently, hardly matches at all. I like to think about how many outfits I can make with an item. Will this skirt match any of my tops? Could it work mix-matched? Would it work with tights in the winter?

A really great challenge is the ’30 day wear’ challenge, which aims to help you wear an item for as much as it’s worth. If you can wear an item thirty times or more, then it’s probably been a worthwhile investment. So ask yourself before you buy; could you see yourself wearing it for 30 days?

Can you find an ethical or sustainable alternative?

There are brands out there that cater to trends. One of my favourites is currently ASOS’ Reclaimed Vintage. According to a tweet I received, all of their products are made in the UK from reclaimed vintage fabrics (hence the name). Their pieces are pretty damn affordable for what they are, and they change according to the season.

So when you’re buying something that isn’t necessarily coming from the most trustworthy of sources, ask yourself if you could put it on hold to find an alternative that will not only last you longer but also won’t do any damage when it comes to the earth, environment or the fast fashion industry that we need to start changing.

Even shopping second hand can cater to trends too. I picked up a pink roll neck sweater from the RSPCA charity shop (featured in these pictures, and styled in this post), and ever since, I’ve been seeing them everywhere. It might take a little longer to find, but it is possible. Scroll through eBay! Check out Depop on your phone or even the Oxfam website (yes, they ship outside the UK).

Sleep on it…

That’s a phrase that brands producing 52 micro-collections a year probably don’t like to hear, but it’s something you should really start doing more often. If you walk away from something you catch your eye on, you’ll know for definite if it’s really worth buying if you sleep on it and wake up still thinking about it.

That’s actually what happened with that pink roll neck sweater (other than literally sleeping). I walked out of the shop unsure, and ten minutes later I was walking back in and trying it on before handing over the (new, plastic) £5 note to buy it.

Snap decisions and impulse purchases are all well and good if you know that you’ll actually end up enjoying what you buy more than the excitement of actually buying it. It’s exciting, right? Going shopping and seeing something that you know will leave you with a buzz when it’s wrapped up in a bag in your hand?

But what if that purchase costs less than the cup of coffee you’re about to drink to give yourself a breather from all that walking around? What if the delivery costs more for that dress you’re about to buy in the sale? What is that really saying about it?

You’ll know you’ll end up wearing something you buy if you think about it first. Be conscious – that’s pretty much my main motto at the moment.

What are your tips on knowing whether you’ll wear something you buy? Let me know in the comments!

It seems a little bit over the top to point this out right at the start of this post but I honestly believe it’s true; you can’t call yourself a feminist if you believe in fast fashion.

This belief hit me whilst reading “Threadbare: Clothes, Sex & Trafficking” by Anne Elizabeth Moore. It’s an illustrated non-fiction comic all about the fashion industry and how it links in with sex work and trafficking. It sounds like a pretty heavy topic, but it was possibly one of the easiest ethical/anti-fast fashion reads I’ve finished so far, and for those of you who prefer something a little more attractive to the eyes, then I’d definitely recommend it (however I will point out – it does have fairly small text to read).

The statistic that struck me with this realisation was this – 1 in 7 women worldwide, work in the fashion industry. The tricky thing about feminism is how it is deemed to be only related to women and feminine issues, when as we should all know by now, it’s about equality, and the only way we can reach gender equality and an equal balance between men and women, is by working on the imbalance of which is mainly weighing down on, well, women.

So seeing as a seventh of the female population in the world are somewhat responsible for the fashion industry, it would seem a bit absurd to not think about how it affects those people, wouldn’t it?

One of the main issues surrounding fast fashion and the industry as a whole is the problem surrounding working conditions. 80% of garment workers are women. According to the book “To Die For” by Lucy Siegle, if we break down the price of a £4 (ASDA) t-shirt, £1.18.5p goes to the supplier; £2.80 goes straight to ASDA as profit and the garment worker (most probably a woman) receives just 1.5p.

That’s 1.5p per what could possibly be 200 garments per day (roughly £4 a day), in a factory with poor safety regulations. In fact, 60% of factories in Bangladesh are structurally unsound according to a 2013 study, which makes the Rana Plaza disaster even more tragic, because it would be so easy for it to happen again.

Upon reading more about feminism and fast-fashion, I read fellow blogger Jen’s post about her thoughts, and her point about clothes plastered with feministic slogans and messages of empowerment really raised a great question; how can we be buying these clothes that promote female empowerment that cost as much as a coffee at Starbucks, when the people making them can barely afford to live and make these clothes for us?

How can we say we’re feminists when we’re supporting companies that don’t have any interest in the women (some of which are in their teens) that they employ and the situations that they are in?

The answer is, we simply can’t. If feminism is about bringing equality to women, then we can’t call ourselves feminists if we’re still supporting a cycle and an industry that still promotes inequality. It doesn’t matter what a brand is doing on the surface. It doesn’t matter what natural beauty campaigns they’re running, or what slogans are on those t-shirts.

At the end of the day, if they didn’t have the garment workers in the first place, then they wouldn’t have their company – we wouldn’t have our clothes and our wardrobes full of outfits. We as women, as men, and as humans who need to prolong the earth we stand on – cannot call ourselves feminists if we live with the mindset that this is okay.

In line with that, one of my favourite parts of “Threadbare” and actually the page that featured that slap-in-the-face statistic, was this –

‘So if you want to support job opportunities for women in developing nations, don’t shop at the mall.’

If you want to call yourself a feminist and support one of the biggest industries in the world, and a seventh of the female  population (cisgender/transgender – unfortunately there isn’t a clear statistic for that number, which would bring me onto a whole other topic of discrimination), then don’t support what is causing the most damage. Or like I’ve said many times before; be conscious. Hold retailers responsible.

So yes, I am a feminist, because I’m doing my part to avoid supporting companies who don’t value their workers and aren’t doing their part to create a fairer industry. Are you?

I promised a while ago that I would do a write-up of Vivienne Westwood’s latest memoir, written by herself and Ian Kelly, so that’s exactly what I’m going to do today! The book has been available for a fair amount of time now (…I received it at Christmas…), but that doesn’t take away from some of the powerful messages within it. I’m going to be sharing with you, five of the lessons I learned from the 400 or so pages…

#1 – You have to just go for it…

I’m a big believer in ‘everything happens for a reason’ and the whole ‘we’re on a journey’ way of looking at life, so this really resonated with me. I’ve always known in my mind what I’m here for, so knowing that she had a vision in her mind and didn’t let other people stop her, is really empowering. You can’t let people who are doing similar things get you down because there is only one version of you. You are the only person who can create something unique and unique, even if it’s similar or someone is capable of doing the same thing.

My goal in fashion combines numerous different factors, a couple of which weren’t yet in my mind a few years ago, but that’s okay; it’s all adding up to what will be my end goal. Nobody else can achieve that but me.

#2 – Comfortable is just an idea…

I’m also a big believer in being yourself and the concept of being comfortable meaning being comfortable within yourself before anything else. I actually wrote a piece on a similar topic, but this little segment really solidifies the idea. It also gives me motivation for my own fashion design career, because I too, want to design clothes that break convention and redefine it.

Comfort is whatever feels normal for you. It’s an idea that was created to keep us feeling safe… but in my opinion, you can only really feel safe and content when you are doing exactly what you need to be doing, and exactly what you believe in.

As you will read in that blog post of mine, for me, comfort is wearing what I want even if it’s not the norm. It’s wearing leather jackets instead of floral dresses and having memories to look back on where I’m wearing Dr Martens instead of sandals. Plus – I definitely don’t want to be wearing mass-manufactured clothes anymore, which brings me on to my next lesson learned…

#3 – Becoming more ethical and sustainable really does take time…

Reading yet another ethical fashion icon talk about how they’re not even perfect themselves truly does make you feel like you can breathe. I’ve discussed this before, but you really do have to look at it all from the situation you are in. If you can help spread the message at the same time, then that’s just as important to take into account. You’re doing twice as much if you’re being conscious as well as spreading the same ideals. Yet another lesson that nicely ties in with a recent blog post of mine, where I spoke about why influencers need to use their influence.

#4 – …and educating yourself on the topics matter.

I don’t care how many times I’ve reiterated this fact, or how many times I’ve stated I don’t care how many times I’ve reiterated this fact, but it really is important to educate yourself on topics if you want to fully understand them. Reading news articles is all well and good, but as soon as you dig a little deeper, you’ll start to realise how significant these matters really are. And Vivienne is right – Johnny Rotten’s lyrics are clever and they work just as well as they did within the heart of the punk era, as they do now.

Another mini lesson I suppose is that we really do owe everything to Vivienne when it comes to punk, whether that’s in terms of music or fashion.

#5 – Perhaps there’s a reason that designers are only wearing simple clothes on the catwalk…

The fifth and final lesson is a bit of an odd one, and more of a realisation to be honest as I’ve always been curious as to why designers don’t seem to express themselves when it comes to taking their bow and applaud on the catwalk. Most designers tend to be wearing all black, or monochromatic outfits and it’s always seemed bizarre to me when the clothes they’re showcasing are so creative and individual.

This line makes a lot of sense to me now (even if that wasn’t its intent), and is something I’ll take into account the next time I’m watching the shows. After all, designing isn’t an easy job, so if they feel comfortable in what they work in, then that’s all that should matter, and that’s all that we should expect to see – it’s a form of realism.

There’s so much more to her book than all of that, though. It’s really opened my eyes up to how a career can drastically change and how creating long lasting relationships are so vital to achieving that. It’s also opened my eyes up to how much influence Vivienne has really made and how she too, travelled and experienced part of her journey in Italy.

I’m definitely going to learn more about topics mentioned in the book, specifically Climate Revolution and how I can make my mark in the world of sustainability. I’d highly recommend picking up a copy!

I’m now off to read some more of To Die For by Lucy Siegle, and check the post box to see if my copy of Threadbare has arrived; it’s a book all about the fashion industry and sex trafficking, in comic book form! What’s next on your reading list?

I’m not meaning to fill up my blog with book reviews, but I’m back again today with just that! I’ve been dropping notes here and there that I’d be reviewing “Stitched Up: The Anti-Capitalist Book of Fashion” by Tansy E. Hoskins, so that’s exactly what I’m going to be doing. It’s another book based around ethical and sustainable fashion, as well as the effects of fast fashion, as that’s what I’ve been researching and wanting to learn more about recently…

Stitched Up is a book opening up about the world of fashion and what’s behind the clothes we wear. It flicks between brands and labels like Primark to Karl Lagerfeld as it explores consumerism, class and advertising, to reveal the interests which benefit from exploitation. Tansy delves into the relationship with the planet and with our bodies to uncover what makes the industry so damaging.

Along with advertising, it takes a look at racism and beauty standards and why they exist, as well as what could happen if the industry starts to adapt and change to better itself. It’s filled with accurate information and true insights and truly opens your eyes to why we shouldn’t just be blaming the high street for the effects and disasters happening – we should really be blaming capitalism.

I wasn’t quite sure how to start this review, so I’m going to note down some of the topics that came up and how I responded to them and how I am still reacting to them.

I’ll begin with one of the most interesting and eye opening chapters for me – ‘Stitching it’. In this chapter, Tansy talks about garment production and the arguments as to ‘why sweatshops have benefits’. There’s one argument in particular which is based upon the idea that manufacturers would flee from developing countries where the sweatshops are based, if there was a wage increase to help and support the workers. Yet the logic fails when you take a look at the statistics and facts, which are all clearly marked out on Page 87…

There’s then an example of a dress Kate Middleton wore by Reiss. Female workers in the Romanian sweatshop producing the dress, were paid only £168 a month (or, 99p an hour). The dress originally retailed at £175, so if their wages had been doubled, the dress would have cost just £178.15. That’s £3.15 more. That’s the price of a coffee in a Starbucks or a Costa. It’s a price that anyone shopping at Reiss would be able to afford, and a small difference that the brand could easily work with. If we’re paying the same amount as one worker’s monthly income for a dress, then surely, something’s not right?

On the same vein of sweatshops is the quality of garment factories and workshops. After the Rana Plaza disaster, it’s obvious that things need to change, but what’s quite shocking is how easy it would be to do it; Tansy explains on Page 77…

Like a lot of these statements that are featured in the book, there are many reasons why these changes aren’t happening, even if the opportunities to do so are there. The main reason is capitalism (hence the name of the book) and how corporations work together to keep profits high and to keep things ticking along in a cycle (more on that in a moment); but that doesn’t make it seem any less simple.

My initial thought was – ‘Imagine that? Imagine if a brand really did that. Imagine if they used what they have, and what they don’t necessarily need, to help what they know is a problem? It would not only be a benefit to the people receiving the help, but it would also be a benefit to their brand and how they’re perceived – no?’ – until another chapter popped up and got me thinking about using change for promotional benefits.

So many brands these days start up campaigns just for the name of their brand. For example, Marks & Spencer’s have their ‘Shwopping‘ campaign which promotes the idea of donating old and unwanted clothes, yet it becomes totally hypocritical when they start giving out vouchers and membership points for doing so. They’re promoting the idea of out with the old, in with more new. On the surface, it gives their brand a good name for being green and sustainable, yet the actual idea is the total opposite of that. ASOS are also a brand promoting the ‘swapping clothes’ idea; they may not be giving away vouchers in exchange, but the selling point is having more space in your wardrobe – out with the old, in with the ASOS!

We need more brands to be genuinely interested in change and learning more. We need more powerful voices to genuinely take charge, rather than have their PR and Marketing departments decide it would be great to support ‘Green Week’ so that they have a good voice, temporarily. It’s all an illusion, when really, they’re the ones creating the damage in the first place.

I’m going to jump back to the ticking along of the cycle I mentioned earlier with this Marx quote from Page 55 which I’ve already mentioned in my blog post about emotional sustainability to make things a little clearer…

The industry is a cycle which starts with a trend that is produced on mass at low costs. Profits are made and the cycle starts again once that trend has fizzled out, or once the brands and companies have decided it needs to fizzle out so they can start making money from the next big thing. It’s unsustainable. I believe the number is roughly 52 collections per year for a high street brand. That’s 52 different cycles of clothes that are based around temporary ideas.

Just going into a store the other day and immersing myself within the summer to autumn transitional sales made me realise how true this is. It’s only just August and there are already autumnal pieces being sold, with summer pieces starting from €3.99 on discount.

Not included in the book, but something I recently discovered through The JUST Project (possibly the best ethical directory there is), is that H&M-owned brand COS is running things slightly differently with two collections per year, each designed 18 months before they go on sale. Unfortunately that doesn’t guarantee perfect working conditions, but at least the sustainable base is being built upon.

Overall, Tansy has really given me some food for thought and has already made me purchase Lucy Siegle’s “To Die For” book for my next bit of research. I’m also taking a deeper look into Karl Marx and his views on capitalism, which I know might seem quite controversial, but when you read and listen to the beginnings of his ideas and ideologies, you can see where he was heading and how his opinions can be taken upon in current times.

I haven’t even touched on the beauty standards and racism side of things, so if you’d like me to talk a little about what I took from that, then please do let me know… or of course, buy a copy of the book yourself so you can have a read! It’s definitely worth it.

Look out for a review of Lucy Siegle’s book once it’s arrived and been read, as well as a review of Vivienne Westwood’s book in the not so distant future.

I’m going to say something for the 1000th time when it comes to ethical and sustainable fashion; it’s really important to educate yourself.

SLOW FASHION by Safia Minney

You might be aware of some of the issues surrounding the fashion industry these days, but how much do you really know about what’s being done to make changes? How many real life stories have you listened to? How do you know what to do as a consumer?

These are all questions you should be able to answer easily, but for a lot of people, it’s hard to answer them without saying, “I don’t know” or perhaps, “I don’t know enough to give you an answer”. So yes, I may have said it several times by now, but it really is important. We all need to learn more, so that we’re open and aware about what needs to change… a big emphasis on need, because it really does need to.

So, as a way to educate yourself, I’m going to introduce you to a book that I’ve just finished reading – “Slow Fashion” by founder and CEO of People Tree, Safia Minney. “Slow Fashion” is a book which explores the work which is being done to make the fashion industry more ethical and sustainable, as well inspiring entrepreneurs, creatives and consumers, to think differently and start to make change, no matter how big or small.

Safia has been running People Tree, a leading ethical and sustainable fashion brand for the past 25 years, working alongside designers like Zandra Rhodes to create exciting and ethical collections which not only help the people making them, but the environment and the earth.

One of the main themes throughout the book is something that I wanted to share with you, and is something that emphasises my point about educating yourself; small steps lead to bigger things. One of the best ways to explain this is through a quote (from the book) by actress and model, Lily Cole…

“Whenever I am given a choice, I try to make the right one.”

When you learn about some of the issues in the industry, you can be taken aback. For me personally, it was like something clicked and suddenly I had this whole new mind-set (thanks to the wonderful movie which is, The True Cost)… but there are cons to that happening. I ended up putting pressure on myself and started to rush things and try and reevaluate everything I knew before. Although now I see this as a pro, I basically stopped shopping altogether. I felt guilty whenever I wore clothes I knew were unethical, and I tried to change too much of what I could all at one time.

The reason I’m explaining this, is because Lily’s quote uses one specific word; try.

When we learn about all of these issues, for most of us, it’s hard to suddenly change everything. It’s hard to step out of what we can afford or what we are able to do immediately. But it is possible to do in the long run (though of course, the faster the better, as I said; things need to change) and that’s something we mustn’t forget.

It’s reassuring to read that even people who are making changes, aren’t always perfect. Sometimes it’s impossible. Not everyone has the freedom and privilege to purchase specifically ethical clothing due to the fact that it’s usually higher in price than normal run of the mill, high-street fashion (don’t forget though, second-hand and vintage clothing is an option). But being aware that there is a choice, is very valuable.

Walking into a shop and asking yourself whether you need an item, or whether you could find a better, more high quality option that will be more sustainable, is so important. And to loop it all back; being aware, means educating yourself, which is why I’m recommending this book.

At the same time as learning more about the issues and effects of fast-fashion and mass consumption, you can discover new brands and labels to shop from, some of which include: Goodsociety, Miss Green, Braintree, Armed Angels, MADE, LeJu, Joanna Cave and Quazi Design.

Stitched Up: The Anti-Capitalist Book of Fashion by Tansy E. Hoskins

You can also discover other books including the one photographed in this post, “Stitched Up: The Anti-Capitalist Book of Fashion”. I’m only into Chapter 2 and it’s already highly insightful. It not only looks into fast-fashion (both on the high-street and on the catwalk), but it also covers topics like racism and body image. It’s a one of a kind book to add to your reading list! (I’ll be sure to review it when I’m finished).

Also through this book, I’ve discovered the film, “Udita” by Rainbow Collective. It’s an extraordinary and raw insight into the lives of the female factory workers in Bangladesh, most of whom were affected by the Rana Plaza disaster of 2013. One of the most touching moments in the film for me, is when one of the workers is explaining their desires and wishes for the future…

“I wish people would buy clothes with a conscience. My desire is that what’s happening now will never be repeated. That people who are buying clothes abroad stop and think about how much they buy for it and how much is the true cost for us here.”

If the workers themselves are saying they wish we could shop with a conscience, then surely that’s enough for us all to implement change, no matter how big or small? The majority of us have a choice. We all have the ability to learn about our choices. Learning is all part of the process, and really, at the most, it can take an hour out of your day to do so.

When you next sit down to binge watch your favourite Netflix show, why not click onto The True Cost (which is on Netflix anyway) or go onto Amazon and order yourself a book, instead? Small steps lead to bigger things, and we can all make them if we try.

What are you going to do to learn more? Have you read Slow Fashion already? Let me know in the comments!