ethical fashion book review

Seeing as I’ve mentioned it at least a dozen times in previous blog posts, it’s probably about time I spoke about my reading of To Die For by Lucy Siegle, isn’t it? This book review is going to be in a slightly different format, similar to my review of Vivienne Westwood’s book because I’m going to talk about three different topics I hadn’t thought about before…

If you’re wondering why these pictures were taken at the beach; I read most of this book on a tiny bench by the sea.

#1 – Cotton has a cost…

It’s a lot easier for us all to relate to stories and issues which connect directly with the clothes we wear. It’s easier for us to open our ears and minds to stories about some of the final hands which held them and put the garments together, and it’s even easier for us to forget about the people long before that; the people who made us the fabrics. One of the most eye-opening chapters in To Die For, was the chapter dedicated to cotton and the sections which focused heavily on cotton picking.

One of the biggest cotton producing countries in the world (7th biggest, according to WorldKnowing.com in 2015) is Uzbekistan.  I’d never thought about cotton picking in much detail so when I read that “in 2009 between one and two million children were forced out into Uzbekistan’s fields”, it’s safe to say I was taken aback. It’s also safe to say that cotton picking isn’t pleasant labour.

Each year the government-installed system forces millions of Uzbekistani’s to take part in cotton production where they are exposed to unknown chemicals, unsafe and unsanitary housing, and lack of safe drinking water (you can read more about it on CottonCampaign.org); many of these people are children or teenagers.

Lucy interviewed a former cotton-picking student who was supposed to reach a quota of 60kg (132 pounds) per day, for the duration of 54 days. As a sixteen-year-old at the time, she only managed to reach this quota once due to how lightweight cotton is. There is so much more to Gulnara’s story, yet I’d never even thought of it before. When practically all of us wear cotton, why is it that we don’t know enough about it?

#2 – We need to learn more about sustainability…

I’ve always thought more about ethics over sustainability. I suppose not only did I know more about the human side of the industry but it also always struck a chord more easily than say, issues to do with the environment. Knowing that I am responsible for another human being’s treatment to a certain extent was one of the main reason I started approaching fashion more consciously. But I really need to thank this book for making me think about the earth too.

From the date this book was published, the textile industry was one of “the biggest water consumers in the world, using 3.2% of all the 1,400km³ of water available to the human race each year”. This isn’t the only staggering number though, we have to remember that fashion’s footprint is much larger when you consider coal usage, land and water pollution, the effects of herding animals for fibres and skins and all of the added and extra effects which come with the production of things like zips and metal eyelets.

There is so much to consider, it’s no wonder we don’t know enough. There are ways to do it, though. Lucy recommends using a tool called EcoMetrics which enables you to calculate the rough footprint of your wardrobe by looking at what fabrics your clothes are made up of. I’ve yet to try it myself but it’s just one of the small ways you can start to understand sustainability a little clearer.

One of the tools I have used though, is Nike’s Making App which allows you to compare different fabrics and their footprint in different areas. I used it quite a while back in a blog post about my wardrobe at the time but it’s still relevant today too.

#3 – Should we wear fur – faux or real?

Fur is actually a rather hot topic right now. There were PETA protests and campaigns happening at fashion week this season and there are debates and conversations starting up online so perhaps what Lucy spoke about in To Die For will get you looking at it all from a new perspective.

Lucy opens up to the idea that faux fur might also be a contributor to why real, natural fur is an issue within itself. In more recent times, fur has become more of a statement of wealth rather than warmth and practicality that it originated from many moons ago. There’s this illusion that fur is something beautiful and something to hold and treasure because of its cost and value and this idea seems to be coming back into fashion as a very similar statement.

There are pros and cons to each side of the story of faux and real fur but the book made me start to think whether both are equally as bad. Neither option is ethical; chemicals cause faux fur to be polluting and unsustainable and the slaughtering of animals and the treatment of the skins are unsustainable and unethical when it comes to real.

If a faux fur jacket doesn’t degrade for at least six hundred years (according to a quote by Teresa Platt on page 189), how can we really choose either option? It’s come to my conclusion from reading the chapters on both sides of the story, that we really can’t. Wearing faux-fur is still making fur of any kind seem aspirational and iconic. I really want to delve into more surrounding this subject, especially vegan leathers and furs.

Overall, To Die For is definitely one of the heavier books I’ve read on these topics but it’s worth it if you want to focus on areas you have perhaps, a weaker knowledge for. There are also lovely illustrations dotted throughout and unique personal stories which you, of course, won’t find anywhere else.

If you’re looking for a book which is more about ethical brands which are already up and running, I’d recommend taking a look at my review of Slow Fashion by Safia Minney, who is mentioned in this book a couple of times towards the end. For more of a feminist take on things, Threadbare is a great one, and for something just as thought-provoking but a little lighter in terms of writing and size, Stitched Up is another amazing alternative.

I’m currently reading Clothing Poverty, so I’m sure you’ll see a review of that soon.

What do you think of the topics mentioned? Should we wear fur? What books are you reading? Let me know in the comments!

It seems a little bit over the top to point this out right at the start of this post but I honestly believe it’s true; you can’t call yourself a feminist if you believe in fast fashion.

This belief hit me whilst reading “Threadbare: Clothes, Sex & Trafficking” by Anne Elizabeth Moore. It’s an illustrated non-fiction comic all about the fashion industry and how it links in with sex work and trafficking. It sounds like a pretty heavy topic, but it was possibly one of the easiest ethical/anti-fast fashion reads I’ve finished so far, and for those of you who prefer something a little more attractive to the eyes, then I’d definitely recommend it (however I will point out – it does have fairly small text to read).

The statistic that struck me with this realisation was this – 1 in 7 women worldwide, work in the fashion industry. The tricky thing about feminism is how it is deemed to be only related to women and feminine issues, when as we should all know by now, it’s about equality, and the only way we can reach gender equality and an equal balance between men and women, is by working on the imbalance of which is mainly weighing down on, well, women.

So seeing as a seventh of the female population in the world are somewhat responsible for the fashion industry, it would seem a bit absurd to not think about how it affects those people, wouldn’t it?

One of the main issues surrounding fast fashion and the industry as a whole is the problem surrounding working conditions. 80% of garment workers are women. According to the book “To Die For” by Lucy Siegle, if we break down the price of a £4 (ASDA) t-shirt, £1.18.5p goes to the supplier; £2.80 goes straight to ASDA as profit and the garment worker (most probably a woman) receives just 1.5p.

That’s 1.5p per what could possibly be 200 garments per day (roughly £4 a day), in a factory with poor safety regulations. In fact, 60% of factories in Bangladesh are structurally unsound according to a 2013 study, which makes the Rana Plaza disaster even more tragic, because it would be so easy for it to happen again.

Upon reading more about feminism and fast-fashion, I read fellow blogger Jen’s post about her thoughts, and her point about clothes plastered with feministic slogans and messages of empowerment really raised a great question; how can we be buying these clothes that promote female empowerment that cost as much as a coffee at Starbucks, when the people making them can barely afford to live and make these clothes for us?

How can we say we’re feminists when we’re supporting companies that don’t have any interest in the women (some of which are in their teens) that they employ and the situations that they are in?

The answer is, we simply can’t. If feminism is about bringing equality to women, then we can’t call ourselves feminists if we’re still supporting a cycle and an industry that still promotes inequality. It doesn’t matter what a brand is doing on the surface. It doesn’t matter what natural beauty campaigns they’re running, or what slogans are on those t-shirts.

At the end of the day, if they didn’t have the garment workers in the first place, then they wouldn’t have their company – we wouldn’t have our clothes and our wardrobes full of outfits. We as women, as men, and as humans who need to prolong the earth we stand on – cannot call ourselves feminists if we live with the mindset that this is okay.

In line with that, one of my favourite parts of “Threadbare” and actually the page that featured that slap-in-the-face statistic, was this –

‘So if you want to support job opportunities for women in developing nations, don’t shop at the mall.’

If you want to call yourself a feminist and support one of the biggest industries in the world, and a seventh of the female  population (cisgender/transgender – unfortunately there isn’t a clear statistic for that number, which would bring me onto a whole other topic of discrimination), then don’t support what is causing the most damage. Or like I’ve said many times before; be conscious. Hold retailers responsible.

So yes, I am a feminist, because I’m doing my part to avoid supporting companies who don’t value their workers and aren’t doing their part to create a fairer industry. Are you?

I’m not meaning to fill up my blog with book reviews, but I’m back again today with just that! I’ve been dropping notes here and there that I’d be reviewing “Stitched Up: The Anti-Capitalist Book of Fashion” by Tansy E. Hoskins, so that’s exactly what I’m going to be doing. It’s another book based around ethical and sustainable fashion, as well as the effects of fast fashion, as that’s what I’ve been researching and wanting to learn more about recently…

Stitched Up is a book opening up about the world of fashion and what’s behind the clothes we wear. It flicks between brands and labels like Primark to Karl Lagerfeld as it explores consumerism, class and advertising, to reveal the interests which benefit from exploitation. Tansy delves into the relationship with the planet and with our bodies to uncover what makes the industry so damaging.

Along with advertising, it takes a look at racism and beauty standards and why they exist, as well as what could happen if the industry starts to adapt and change to better itself. It’s filled with accurate information and true insights and truly opens your eyes to why we shouldn’t just be blaming the high street for the effects and disasters happening – we should really be blaming capitalism.

I wasn’t quite sure how to start this review, so I’m going to note down some of the topics that came up and how I responded to them and how I am still reacting to them.

I’ll begin with one of the most interesting and eye opening chapters for me – ‘Stitching it’. In this chapter, Tansy talks about garment production and the arguments as to ‘why sweatshops have benefits’. There’s one argument in particular which is based upon the idea that manufacturers would flee from developing countries where the sweatshops are based, if there was a wage increase to help and support the workers. Yet the logic fails when you take a look at the statistics and facts, which are all clearly marked out on Page 87…

There’s then an example of a dress Kate Middleton wore by Reiss. Female workers in the Romanian sweatshop producing the dress, were paid only £168 a month (or, 99p an hour). The dress originally retailed at £175, so if their wages had been doubled, the dress would have cost just £178.15. That’s £3.15 more. That’s the price of a coffee in a Starbucks or a Costa. It’s a price that anyone shopping at Reiss would be able to afford, and a small difference that the brand could easily work with. If we’re paying the same amount as one worker’s monthly income for a dress, then surely, something’s not right?

On the same vein of sweatshops is the quality of garment factories and workshops. After the Rana Plaza disaster, it’s obvious that things need to change, but what’s quite shocking is how easy it would be to do it; Tansy explains on Page 77…

Like a lot of these statements that are featured in the book, there are many reasons why these changes aren’t happening, even if the opportunities to do so are there. The main reason is capitalism (hence the name of the book) and how corporations work together to keep profits high and to keep things ticking along in a cycle (more on that in a moment); but that doesn’t make it seem any less simple.

My initial thought was – ‘Imagine that? Imagine if a brand really did that. Imagine if they used what they have, and what they don’t necessarily need, to help what they know is a problem? It would not only be a benefit to the people receiving the help, but it would also be a benefit to their brand and how they’re perceived – no?’ – until another chapter popped up and got me thinking about using change for promotional benefits.

So many brands these days start up campaigns just for the name of their brand. For example, Marks & Spencer’s have their ‘Shwopping‘ campaign which promotes the idea of donating old and unwanted clothes, yet it becomes totally hypocritical when they start giving out vouchers and membership points for doing so. They’re promoting the idea of out with the old, in with more new. On the surface, it gives their brand a good name for being green and sustainable, yet the actual idea is the total opposite of that. ASOS are also a brand promoting the ‘swapping clothes’ idea; they may not be giving away vouchers in exchange, but the selling point is having more space in your wardrobe – out with the old, in with the ASOS!

We need more brands to be genuinely interested in change and learning more. We need more powerful voices to genuinely take charge, rather than have their PR and Marketing departments decide it would be great to support ‘Green Week’ so that they have a good voice, temporarily. It’s all an illusion, when really, they’re the ones creating the damage in the first place.

I’m going to jump back to the ticking along of the cycle I mentioned earlier with this Marx quote from Page 55 which I’ve already mentioned in my blog post about emotional sustainability to make things a little clearer…

The industry is a cycle which starts with a trend that is produced on mass at low costs. Profits are made and the cycle starts again once that trend has fizzled out, or once the brands and companies have decided it needs to fizzle out so they can start making money from the next big thing. It’s unsustainable. I believe the number is roughly 52 collections per year for a high street brand. That’s 52 different cycles of clothes that are based around temporary ideas.

Just going into a store the other day and immersing myself within the summer to autumn transitional sales made me realise how true this is. It’s only just August and there are already autumnal pieces being sold, with summer pieces starting from €3.99 on discount.

Not included in the book, but something I recently discovered through The JUST Project (possibly the best ethical directory there is), is that H&M-owned brand COS is running things slightly differently with two collections per year, each designed 18 months before they go on sale. Unfortunately that doesn’t guarantee perfect working conditions, but at least the sustainable base is being built upon.

Overall, Tansy has really given me some food for thought and has already made me purchase Lucy Siegle’s “To Die For” book for my next bit of research. I’m also taking a deeper look into Karl Marx and his views on capitalism, which I know might seem quite controversial, but when you read and listen to the beginnings of his ideas and ideologies, you can see where he was heading and how his opinions can be taken upon in current times.

I haven’t even touched on the beauty standards and racism side of things, so if you’d like me to talk a little about what I took from that, then please do let me know… or of course, buy a copy of the book yourself so you can have a read! It’s definitely worth it.

Look out for a review of Lucy Siegle’s book once it’s arrived and been read, as well as a review of Vivienne Westwood’s book in the not so distant future.