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LFW Spring Summer 2017 Illustrations | Paul Smith & Peter Pilotto

By September 19, 2016 London Fashion Blog Week

Make sure you’ve caught up on my previous LFW Spring Summer 2017 illustrations here and hereI’m illustrating two of my favourite looks per day. This time we’re taking a look at Paul Smith and Peter Pilotto…

LFW Spring Summer 2017 Paul Smith illustrations


~ PAUL SMITH SS17 ~


A collection based around photography and an English country garden, it’s quite a different style for Paul Smith, but it works just as every other season does; perfectly. Full of colour and prints, it’s bright and summery and the loose fit and cuts make for perfect pieces to run through fields of wildflowers (which lined the catwalk).

This piece caught my eye because it’s a more three-dimensional take on plaid and checks – the pink squares on this shirt dress have a slight ruching to them which adds to the draping effect of the whole dress. I love how casual it is, and the mix-match style footwear. Really stunning and a fresh new take on Paul Smith’s usual British style.

LFW Spring Summer 2017 Peter Pilotto illustrations


~ PETER PILOTTO SS17 ~


Sometimes it’s nice to focus on the more fun elements of a collection, but in all; this whole Peter Pilotto collection was fun. It was a floral twist on baroque styles with gold and metallics throughout, as well as embroidered pieces, which were all set alongside bolder, tropical pieces and shapes.

I loved the ‘presence’ this dress came with, but how it still presented itself as casual and wearable with the knitwear on top. Bold colours are always fun to illustrate, and it matches the trend I’ve started to notice for SS17 – primary colours.

What do you think of LFW Spring Summer 2017 so far? Let me know in the comments!

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LFW Spring Summer 2017 Illustrations | Molly Goddard & Richard Malone

By September 18, 2016 London Fashion Blog Week

If you didn’t read my last post, then you won’t know that for each day of LFW Spring Summer 2017, I’m going to be posting a couple of illustrations! It’s a more personal way of covering the shows which I, unfortunately, can’t attend this season, so I hope you enjoy taking a look as much as I do making them!

lfw spring summer 2017 molly goddard fashion illustrations


~ MOLLY GODDARD SS17 ~


I’m always in awe of what Molly brings to the table just because she is such a genuine talent and has so much potential and opportunity waiting for her at only 27, and this season definitely didn’t disappoint. It was slightly more wearable than previous seasons in my opinion, with patchwork style hoodies included. It was also a catwalk rather than a presentation like her previous collections have been, which brought to life certain pieces and textures used throughout, like the knitwear and graphic tees.

Although as I said, the collection is more wearable (which I prefer), there were some really eye-catching pieces like this tulle number. The hair and make-up was also really beautiful, so I thought it made for an excellent illustration. Hats off to Molly once again!

lfw spring summer 2017 richard malone fashion illustrations


~ RICHARD MALONE SS17 ~


As I mentioned in my AW16 LFW review, Richard Malone is a relatively new discovery for me, but a great one nonetheless. Inspired by uniforms across different industries, specifically nursing (notice the NHS blues?), it’s full of simple cuts and tailoring, and lots of small details like easy to access popper closures, as well as the striking Malone stripes and fitting figures.

It was bright and colourful, but in a minimalistic and themed way, and I can’t scratch away that feeling that there’s an underlying hint of Bowie throughout too (or maybe that’s just the makeup)? I’m actually genuinely interested in seeing how many collections pay tribute to him in some way… I guess we’ll have to wait and see!

What are your thoughts on LFW so far? Which illustration is your favourite? Let me know in the comments!

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LFW Spring Summer 2017 Illustrations | Bora Aksu & Teatum Jones

By September 17, 2016 London Fashion Blog Week

For this season of LFW, I thought I would try something a little different in my coverage of the collections. I usually review the collections using images from elsewhere seeing as I, unfortunately, am unable to attend due to travelling, but I liked the idea of making it more personal to my blog, so for the next few days and for the duration of LFW Spring Summer 2017 (what a mouthful!), I’m going to be posting a few illustrations of some of my favourite stand out pieces from all sorts of designers. To kick things off, I have two sketches based upon Bora Aksu and Teatum Jones…

LFW Spring Summer 2017 Bora Aksu Illustrations


~ BORA AKSU SS17 ~


I don’t think I’ve actually focused on Bora Aksu in any of my recent fashion week reviews, mainly because I like to mix things up and focus on a variety of different styles, and often with designers which focus on traditional processes and fabric, things can become a little stagnant and uninteresting, but for this summer, it seems like they’re reigning me back in!

I’ve explained this before, but some collections truly are like pieces of art. One of my first thoughts was honestly just, ‘beautiful’. The textures and shapes used are so intricate, and I think that’s a huge selling point for me and designers these days. The idea that a piece can be so thoroughly thought out is actually quite inspiring because it pushes me to think more deeply about my own designs. With woodland and fairy-like themes throughout, it’s no wonder that each dress and garment feels like a fairy tale in its own right, and this yellow number is no exception.

LFW Spring Summer 2017 Teatum Jones Illustrations


~ TEATUM JONES SS17 ~


I’m so drawn into shows and presentations which have a deeper meaning to them, so I couldn’t not focus on Teatum Jones this season. The show started with a short film about diversity and sexuality; embracing who you are and not letting anyone stand in the way of who you define yourself as and who you love. It was genuinely interesting to listen to, especially as it was coming from real people (all from Glasgow, in a tribute to Scotland). It was interesting to see how it worked its way into the collection itself… in fact, it wasn’t until closer inspection that I saw words like ‘intersexual’ across the backs of jackets.

The collection was a mix of botanical and watercolour inspired floral prints (which I haven’t done much justice in my sketchy illustrative style), alongside primary colours and paint splatters which I can only presume was a nod to ‘painting your own canvas’ and making what you want out of what you have. The textures were beautiful, with silk and merino wool being the main focus. An interesting clash of ideas, but the message behind it all made it fit perfectly together. It’s awesome to see Teatum Jones back in the menswear realm, too!

What are you excited about for LFW spring summer 2017 so far? Let me know in the comments!

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My Style: See Through*

By September 13, 2016 My Style

It’s been quite some time since I’ve posted a fully fledged outfit post, My Style or ‘editorial‘, so before I crack on with fashion week content, I thought I’d keep you in the loop with what I’ve been wearing recently. I’ve been rediscovering old gems in my wardrobe, starting to transition into autumn and have been picking up some more second-hand treasures…

my style ootd fashion blog how to style a sheer dress - asos dr martens second hand shopping

my style ootd fashion blog how to style a sheer dress - asos dr martens second hand shopping

my style ootd fashion blog how to style a sheer dress - asos dr martens second hand shopping


WHAT I WORE: Mesh Grid Top (Blue Vanilla)* // Grey Sheer Hem Slip Dress €6.00 (Jumble Sale) // Shark Purse (ASOS) // 1B99 Dr Martens (Mastershoe-MyShu)* // Rings (Various


The amount of colour I wear has definitely dropped by a fair amount in recent times, so I find myself gravitated towards darker pieces that are usually in minimalistic shapes, like this slip dress that I spotted on the back of a door at a jumble sale. I’m so glad it caught in the corner of my eye because it’s something I never knew I needed but is almost something I’ve unknowingly been looking for.

I think the location of its original home put me off at first (an old lady’s living room – so it was probably owned by an elderly woman before me), but I think that’s something that you have to look past when it comes to secondhand shopping, because really, if I hadn’t had mentioned it was secondhand – I totally could have pulled it off as a high street piece, right?

There’s just something so effortless about being able to literally slip it on, whether that’s on its own or layered on top of something…

my style ootd fashion blog how to style a sheer dress - asos dr martens second hand shopping

my style ootd fashion blog how to style a sheer dress - asos dr martens second hand shopping

my style ootd fashion blog how to style a sheer dress - asos dr martens second hand shopping


location

  LOCATION: Senigallia, IT  🇮🇹


…which is what I did, this time around, with an item I haven’t worn in a while. Due to its almost plastic texture, I don’t wear this mesh grid top very often, but I’ve kept it in my wardrobe for, as I mentioned, layering. The dress is slightly lower in the neck than I’d usually go, so if I’m in the need for covering up, adding a thin layer underneath which doesn’t take away from its fit can be quite useful. I also don’t want anything to take away from the straps, because they’re doubled up and it adds that touch of ‘sophistication’, I suppose.

I didn’t go completely colourless either! I know most people associate pastels with spring, but in my opinion, icy, cool tones work really well in the cooler seasons too… not that it’s particularly cool in Italy right now; I think my frizzy hair is a testament to the humidity!

my style ootd fashion blog how to style a sheer dress - asos dr martens second hand shopping

my style ootd fashion blog how to style a sheer dress - asos dr martens second hand shopping

my style ootd fashion blog how to style a sheer dress - asos dr martens second hand shopping

I believe my way of accessorising this outfit is what caused people to stare at me in what I would class as a fairly ‘normal’ outfit (but who cares about normal, eh?). Yes, that is indeed a shark shaped purse. I’m not sure if I’ve featured it on my blog, but it was a gift from my brother and is one of those more wearable novelty items, even if it can barely fit my essentials in it. The grey matches up with the mesh floral print within the dresses hem, and the silver matches my rings because I’m officially a big ring person.

The ring on my left middle finger is now a permanent ring… I even have a tan line forming, and I’m quite intrigued to know how long it will be staying put for! Years, maybe?! My Dr Marten’s are also a fairly permanent fixture on my feet because the weather is cooler now, so I can get away with wearing them without my feet boiling out. Sad news, though; there’s a small bit of stitching which has come apart on the right zip, which is a shame because I haven’t even had them for a year yet! The first Dr Martens fault I’ve ever had! I’m definitely going to be getting in touch because that’s obviously a little sad.

How would you have worn this dress? What have you been wearing recently? Let me know in the comments!


Have you checked out my #16in16 feature yet? A campaign by Take Part all about what it’s like to be a 16-year-old in 2016. Take a look!
I’ll be back soon with, erm, what I think is going to be an LFW illustration every day! We’ll see how that goes…

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5 Lessons I Learned from Reading Vivienne Westwood’s Memoir

By September 10, 2016 Fashion

I promised a while ago that I would do a write-up of Vivienne Westwood’s latest memoir, written by herself and Ian Kelly, so that’s exactly what I’m going to do today! The book has been available for a fair amount of time now (…I received it at Christmas…), but that doesn’t take away from some of the powerful messages within it. I’m going to be sharing with you, five of the lessons I learned from the 400 or so pages…

vivienne westwood ian kelly memoir book review

vivienne westwood ian kelly memoir book review

#1 – You have to just go for it…


Apart from the ambition to prove something to myself, there was also, for me, a kind of duty. A duty that I owed to fashion or to myself. That something I could do, I somehow ought to do. Because if I don’t do it, nobody else would. Just like my politics really. Just like me as a little girl, ‘It was me’. I don’t know, so that’s why I did it, and although it was at times a chore, I don’t regret it. Just the opposite. I proved what I wanted to prove and I have found real satisfaction in it, as well as a voice. But if somebody had come along to me in 1979 and said, “Look, Vivienne, you’re really good but I’m as good as you are and I can do that job for you. You go off to university.”, I probably would have said, “Oh, all right, ok I will.

Page 240

I’m a big believer in ‘everything happens for a reason’ and the whole ‘we’re on a journey’ way of looking at life, so this really resonated with me. I’ve always known in my mind what I’m here for, so knowing that she had a vision in her mind and didn’t let other people stop her, is really empowering. You can’t let people who are doing similar things get you down because there is only one version of you. You are the only person who can create something unique and unique, even if it’s similar or someone is capable of doing the same thing.

My goal in fashion combines numerous different factors, a couple of which weren’t yet in my mind a few years ago, but that’s okay; it’s all adding up to what will be my end goal. Nobody else can achieve that but me.

vivienne westwood ian kelly memoir book review

#2 – Comfortable is just an idea…


The convention that comfortable clothes should be loose-fitting is a convention of our time. I feel comfortable when I think I look great, and I couldn’t bear to put on shapeless, stamped-out mass-manufactured clothes. I design clothes in the hope of breaking convention. Comfort is to do also with completing a mental image of what you want to look like. What you are and who you are.

Page 306

I’m also a big believer in being yourself and the concept of being comfortable meaning being comfortable within yourself before anything else. I actually wrote a piece on a similar topic, but this little segment really solidifies the idea. It also gives me motivation for my own fashion design career, because I too, want to design clothes that break convention and redefine it.

Comfort is whatever feels normal for you. It’s an idea that was created to keep us feeling safe… but in my opinion, you can only really feel safe and content when you are doing exactly what you need to be doing, and exactly what you believe in.

As you will read in that blog post of mine, for me, comfort is wearing what I want even if it’s not the norm. It’s wearing leather jackets instead of floral dresses and having memories to look back on where I’m wearing Dr Martens instead of sandals. Plus – I definitely don’t want to be wearing mass-manufactured clothes anymore, which brings me on to my next lesson learned…

vivienne westwood ian kelly memoir book review

#3 – Becoming more ethical and sustainable really does take time…


“Guilty”, Vivienne tends to say, sometimes even literally holding up her hands. “One answer is that you have to start from where you are. Another is that I reach people – people who read fashion magazines for instance – who would never have heard about some of this otherwise.”

Page 381

Reading yet another ethical fashion icon talk about how they’re not even perfect themselves truly does make you feel like you can breathe. I’ve discussed this before, but you really do have to look at it all from the situation you are in. If you can help spread the message at the same time, then that’s just as important to take into account. You’re doing twice as much if you’re being conscious as well as spreading the same ideals. Yet another lesson that nicely ties in with a recent blog post of mine, where I spoke about why influencers need to use their influence.

vivienne westwood ian kelly memoir book review

#4 – …and educating yourself on the topics matter.


Johnny Rotten’s songs really were very clever, weren’t they? ‘No future. Your future dream is a shopping scheme.’ We need to stop educating people to be consumers and educate them so they are capable of thinking with their own minds.

Page 213

I don’t care how many times I’ve reiterated this fact, or how many times I’ve stated I don’t care how many times I’ve reiterated this fact, but it really is important to educate yourself on topics if you want to fully understand them. Reading news articles is all well and good, but as soon as you dig a little deeper, you’ll start to realise how significant these matters really are. And Vivienne is right – Johnny Rotten’s lyrics are clever and they work just as well as they did within the heart of the punk era, as they do now.

Another mini lesson I suppose is that we really do owe everything to Vivienne when it comes to punk, whether that’s in terms of music or fashion.

vivienne westwood ian kelly memoir book review

#5 – Perhaps there’s a reason that designers are only wearing simple clothes on the catwalk…


I nearly missed the [Pirate] show, and Malcolm made me go on stage, saying ‘They want to see you as you are, they want to see that you’ve been working.

Page 239

The fifth and final lesson is a bit of an odd one, and more of a realisation to be honest as I’ve always been curious as to why designers don’t seem to express themselves when it comes to taking their bow and applaud on the catwalk. Most designers tend to be wearing all black, or monochromatic outfits and it’s always seemed bizarre to me when the clothes they’re showcasing are so creative and individual.

This line makes a lot of sense to me now (even if that wasn’t its intent), and is something I’ll take into account the next time I’m watching the shows. After all, designing isn’t an easy job, so if they feel comfortable in what they work in, then that’s all that should matter, and that’s all that we should expect to see – it’s a form of realism.


There’s so much more to her book than all of that, though. It’s really opened my eyes up to how a career can drastically change and how creating long lasting relationships are so vital to achieving that. It’s also opened my eyes up to how much influence Vivienne has really made and how she too, travelled and experienced part of her journey in Italy.

I’m definitely going to learn more about topics mentioned in the book, specifically Climate Revolution and how I can make my mark in the world of sustainability. I’d highly recommend picking up a copy!

I’m now off to read some more of To Die For by Lucy Siegle, and check the post box to see if my copy of Threadbare has arrived; it’s a book all about the fashion industry and sex trafficking, in comic book form! What’s next on your reading list?

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Being 16 in ’16 | Take Part Big Issues

By September 7, 2016 General

A couple of months ago I shared a behind the scenes picture of a project I was asked to be a part of, and today, I am super excited to be able to share with you what exactly it is! Now launched, you can take a look at Take Part’s newest Big Issue – 16 in 16…

take part big issues 16 in 16 #16in16

take part big issues 16 in 16 #16in16

take part big issues 16 in 16 #16in16


Watch my #16in16 video here


Turning 16, to most girls, means becoming a young woman and exploring oneself. It’s an exciting time, but it’s also full of challenges, especially for those in far-flung corners of the Earth. For some teens, being 16 means starting to drive and experiencing love and dating, but for others, it can mean taking on inequality and conflicts in everyday life.

So, to learn a little more about what it’s like to be 16 years old in 2016, Take Part asked myself and 15 other girls what it’s like to be as a young woman, whether they might be, in the hopes of sharing why teen girls should have access to education, economic opportunity and basic human rights. It was all quite exciting to be a part of, but now I look at it all put together with the other girls’ stories, I’ve started to realise why it’s such an important message.

The feature is a small video series which highlights certain topics like relationships, family life, future careers and ambitions, and what struggles 16 year olds have to face. Some of the stories are genuinely, truly inspiring, so I feel very honoured to have played my part the best I could! I spoke a bit about why home education gives me more freedom than traditional schooling, but there’s a small bit more when you click through to my personal segment.


Ethical and sustainable fashion. I’ve become interested in the True Cost movie. I don’t believe in labels and fancy clothes and things like that. I would rather have my wardrobe like I do now; it’s secondhand, and it’s ethical brands.

What I'm most passionate about...

take part big issues 16 in 16 #16in16


Watch all #16in16 videos here


Some of the other girls include Monica from Nairobi in Kenya, who’s ambition is to become a journalist; Emma from Pennsylvania who’s an aspiring writer working hard for equality and the LGBTQ community; Haiana, a Syrian refugee now living in Germany, and Savannah, who’s an aspiring marine biologist who’s been coping with her mother’s drug addiction most of her life. All of the girls have such inspiring messages and are obviously destined for great things!

You can take a look at my feature, as well as the other videos and other girls, at the link above. Please do take a look and give it a share if you can! Take Part (part of Participant Media) will be rolling out the campaign for the months ahead, so I’m sure you’ll see the link floating around for a while too.

Thanks so much to the team for this opportunity, and for creating a project with such a strong message. Here’s to being 16 in 16!


Images taken from the 16 in 16 videos.


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I Experienced an Earthquake

By August 28, 2016 General

(Definitely not a fashion related post, but an important one nonetheless.) I don’t mean to be dramatic as I write this. I don’t mean to worry anyone or make my experience seem worse than others, because I know it wasn’t, in fact, I’ve never felt luckier.

italian earthquake terremoto 2016 amatrice


My experience of the earthquake was minor compared to others.
Please donate to Croce Rossa Italiana to help those in need.


You may have seen on Twitter or Facebook or wherever else I post, but if not, then you won’t know that on Wednesday 24th August at 3.36am, a 6.2 magnitude earthquake hit the region of Italy where I am currently staying. Again, I am safe and even after not knowing where she was for four hours of the morning after, even our travelling cat Paloma was found without a scratch.

But, I have never and I hope that I will never again experience something so terrifying. I know that earthquakes happen all over the world fairly frequently, whether that be big or small, and I know that there are even more scarring experiences to go through, but even the sound of a car driving down our road is now enough to make me feel like crying again.

I’ve learnt about earthquakes before. I’ve researched them, my family even planned out the sort of thing we would do if one hit before we started travelling through Italy, so it’s not like we knew it could never happen… it’s just you never really think it will. And when it does, there’s no warning. There’s no gradual build up. In a matter of seconds it can feel like your whole world is about to shatter, and unfortunately for some, this time – it did.

For me the worst part is exactly that; how sudden it was. I go to bed fairly late. I fell asleep at about half past 1 in the morning, after watching an ASMR video because sometimes I find them relaxing to watch before I drift off. I put my laptop down, turned off my side light and closed my eyes. I hadn’t said goodnight to my parents or brother, and I hadn’t given my cat a cuddle; I’d just simply fallen asleep, as you do, normally, definitely not thinking about what would happen in 2 hours’ time.

italian earthquake terremoto 2016 amatrice

I feel rather stupid now, because when I go over the events (which let me tell you, isn’t pleasant to do – I’m crying as I type this) I remember sitting bolt upright in my bed when I first heard the rumbles and felt the shakes (more on this in a moment) and thinking – ‘What’s that?’. It only really clicked in my mind when I heard my mum call out, “Get under a table!”, a phrase we’d discussed when researching what to do if it ever happened.

My first conscious action was to scream.

I then attempted to get under my bed, because I’m fairly slim and I’ve done it before in order to get a box out from underneath it, but in the pitch black, with your heart racing and nothing making sense, climbing under a small space is near impossible. So I crawled as quickly as I could to the desk at one side of the room, crossed my arms over my knees and closed my eyes.

Last night (as in, the night before I wrote this – 27th August), we went to a restaurant by the sea (where nothing was effected by the earthquake) to try and calm ourselves. We were by a railway line and a train came past. My dad put his hand on my arm and said “It’s just a train.”, and I was a bit confused, but as soon as it passed, I froze, because I knew exactly why he’d said it. For a split second I thought I would be fine, but all of a sudden the tears came spilling out and I had to try my hardest not to close my eyes so I didn’t think back to the night.

italian earthquake terremoto 2016 amatrice

The train was nothing in comparison to what I felt and heard, but anything can set me off now. It’s so hard to explain.

In my opinion, it’s like the earth roared. It was so dark and so sudden that I couldn’t even allow myself to see what was actually happening as the building shook. I can’t explain it. You don’t know what an earthquake feels like until you feel one – and I hope none of you reading this ever will, or ever have, because trust me, you really don’t want to.

I believe the main quake lasted about 20 seconds. In that time, I got under my desk, my mum found a space under a table outside of the bedrooms, my brother stayed put upstairs where he sleeps, and my dad attempted to get to my room. Also in that time, I finally managed to open my eyes as the shaking and roaring faded. Things were scattered across the floor, ornaments were broken and the cupboard doors had opened to let things fly out.

I was crying through all of it, but the tears and hyperventilating didn’t come until there was light from somewhere (I still honestly have no idea where from – one of my parents’ torches? The main lights?) and I looked up at the wall above the bed.

There’s now a diagonal crack from the bottom corner to the top corner, with brick exposed and plaster completely gone. I looked to the floor and I could see dust and paint and as I finally got to my feet, I had to try my best to tip toe around broken glass. The scary thought I have is that I had no idea any of this was happening at the time. The only thing you worry about in terms of destruction, is how to avoid it – not what’s actually being destroyed.

italian earthquake terremoto 2016 amatrice

My brother came in my room at one point, and tried to join me under the table… once the shaking had stopped, my dad dashed downstairs as safely as he could to get bottles of water, and once he was back, we huddled in the hallway under tables and turned up sofas and decided what to do next.

This is why I’m grateful for my surroundings – we were able to safely get out of the house and sit on sunbeds in the open garden where nothing could fall on top of us in the event of an aftershock. None of us had injuries – our main concern of wellbeing was our cat, who like I said, we didn’t find until four hours later when the sun had come up. She was upstairs where the least damage had occurred, hiding behind some drawers and a sofa. I’ve never been so happy to see a cat in my life.

I’ve also never been so happy for WiFi. The connection where we are isn’t the greatest, in fact it drives me mad most of the time, especially when it comes to blogging, but somehow it was still going strong for us to use. My brother had his iPad and was Googling what we should do next – what we should check, where we should go, and whether anything was going to happen again.

The internet couldn’t give us exact answers, but it made us feel like we weren’t so alone as we sat under the stars (and what seemed to be a meteor shower – a detail of this story I keep forgetting to mention to people) and tried to compose ourselves, which is what I’m still doing four days later, and what I expect I’ll still be doing in four weeks’ time at this rate.

italian earthquake terremoto 2016 amatrice

What I’ve written really hasn’t explained the pure terror of that morning. My brain was trying to figure so much out all at one time. I didn’t have my life flash before my eyes, but I’m certain at one point I gulped and realised I still hadn’t met my newborn nephew who’s just turned a month old. I was shaking outside from the shock rather than the cold and I didn’t want my dad to let go of me.

The aftershocks started soon after. The biggest one we’ve experienced so far was about an hour after the main hit, rumbling for a good few seconds and knocking whatever we heard in the distance to the ground (we believe it may have been an abandoned farm building nearby). Aftershocks are still happening, and they’re what is keeping me from going inside to write this.

There are two very different sensations – an aftershock outside and an aftershock inside.
Outside, it’s mainly under your feet. You feel it and you hear it, and it unsettles you, but if you’re in an area where nothing can fall, you know you’re safe. Inside however, it’s all around you; the building shakes and almost sways, like it’s about to push up from the ground, and even if it lasts two seconds, you’re already looking for the nearest table.

Apparently it is extremely rare for a strong aftershock to hit again, but it’s not impossible. What should happen from now on, is tiny rumbles until they fade away completely. It might take a week, it might take two… we still might feel something in a month’s time. That’s the thing with earthquakes – you can’t ever know.

So we’re still sleeping outside. Our cat stays in a locked room during the day, before joining us in the tent during the night. We could go back in, because we’ve had a builder take a look at the damage in all of the rooms, and we’ve had the gas tank checked for leaks (“It’s the Season 4 of my life!”, I joked to a friend recently – you can make me feel better by understanding that reference) but it’s just the thought of experiencing it again, in the same place, barely a week after, that is terrifying (me, mainly).

italian earthquake terremoto 2016 amatrice


My experience of the earthquake was minor compared to others.
Please donate to Croce Rossa Italiana to help those in need.


I really wish I could turn back time. If I could ask for anything right now, it would be to go back to the day before when I was getting on with my work and life and being productive and feeling safe. I’d really like a nice sleep in my bed without having to look up at the ceiling which has cracks in it.

But that’s why I started this post by saying ‘I don’t want to be dramatic’.
I know it could be worse.

I could have no bed to go back into at all. The cracks on my phone could be because it got smashed under rubble, rather than the fact I dropped it a few months ago. The tent we’re sleeping in could be because we have no house to return to, rather than just because we’re afraid. We could have been an hour and a half away, in a town we had a coffee in last winter, watching everything we know and love fade away.

My heart breaks every time I think about the fact that other families who experienced the same thing at the same time as us, are no longer whole. I hate that I know a girl younger than me had to survive 24 hours under the rubble of her house, and that babies have lost their very short lives. And I hate how there was nothing anyone could do to prevent any of it.

italian earthquake terremoto 2016 amatrice

But I feel so grateful that we’re in a country where there are resources to help those in worse conditions, and that it took me all of two minutes to donate to the Italian Red Cross to help in a small way, and that a friend of mine is helping in the preparation for food to be delivered to effected villages… and that with every day it’s going to get easier and that I’m safe.

This trauma isn’t going to be easy to get over. Driving up and down the unpaved road nearby feels rather similar to how my bed shook and moved, and I’m going to be reminded by it every day with all the damage, until the redecorators finally leave at some point. But I’m okay. I obviously might not be blogging as much until I feel comfortable at my desk again, but I’m okay.

I experienced an earthquake and I guess it’s just another story to add to the list. A list that will hopefully make me stronger, and a list that I can hopefully pass on to help others.

 

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Why Self-Deprecation on Social Media Is Dangerous

By August 20, 2016 DIY & Lifestyle

Over the past few months I’ve been using Tumblr a lot. I use it for two types of Tumblr browsing; fandom (because yes, I have succumbed to the teenage stereotype of obsessing over fictional characters and the actors and actresses that bring them to life) and fashion. I’ve made friends (you know who you are!), I’ve gained inspiration and I’ve had a lot of fun whilst doing it… but I’ve also seen a considerable amount of self-deprecating content and it’s actually made me rather quite sad.

self-deprecation tumblr social media

There’s a danger that comes with social media, and we’re all aware of it, but the question is; do we actually take it seriously? For the most part when it comes to the internet, we (as in – the majority of us who use it (I’m talking about you, me, everyone who’s reading this now)) make sure that important topics are learnt about and crucial changes are made, especially when it comes to such things as cyberbullying, online grooming and all those sorts of things which I don’t really want to go into at much detail.

In terms of subtle messages and half-hearted posts made by anybody and anyone however, we don’t really seem to care that much, because that’s exactly what they come across as – half-hearted, meaningless throw-away comments.

What happens to all of those throw-away comments though? Where do they go? Well… they collect, and they get distributed, and because they’re so common but dispersed at a less powerful rate than those dangerous cyberbully comments and those weirdos you find on those random webcam generating sites, they get dismissed. When in actual fact, because they’re so prevalent, and because we see them so frequently, they can actually become more powerful than all of that over time.

self-deprecation tumblr social media

It sounds all a bit dramatic and some of you might not agree, but after realising how many of these self-deprecating posts there are on Tumblr and sites alike, it got me thinking as to why we need to a put a stop to them. Seeing endless posts of ‘omg i’m so ugly haha hashtag relatable’ and actually starting to go “Ohh yeah, that is relatable” is pretty damn worrying – because we’ve all done it right? We’ve all seen a post which has made us believe we are just that – ugly… too thin; too fat; too curvy; too spotty; too hairy etc etc; the list goes on.

Some of the time we agree with the apathetic-ness of it all – we reblog or retweet something along the lines of ‘imagine a world where i’m pretty’ (no capitalised letters because Tumblr™) and don’t think much of it because it made us laugh. We move on and we share another similar post the following day or week, or whenever something else along the same vein grasps our attention.

Let’s focus on one word there though – share.
That’s the dangerous part. It’s not like in a book where you can read a line and laugh, or read a line and express your relatable feelings to yourself, because there’s also a button which gives you the instant ability to pass the message on; to pass the message on to somebody else to find and start believing in too.

self-deprecation tumblr social media

These messages and comments and beliefs start filling our minds and it becomes second nature to click the button and agree with whatever’s written – probably by somebody in a genuine moment of insecurity, but has then snowballed to become a post with over 42,790 notes (reblogs/likes) and counting because it’s been marked and labelled as something ordinary. It’s a dangerous pattern all because we don’t even realise it is one.

It’s okay to sometimes share these posts in my opinion, because we all have down days of insecurity – even the most confident seeming people do, and occasionally we need something relatable and something that doesn’t make us feel so alone… but we also, more importantly, need to realise that there is a danger to it and that damage can be made when we’re constantly feeding our minds with these ideas which all ridiculously incorrect.

self-deprecation tumblr social media

I agree with the statement of beauty is in the eye of the beholder, because it genuinely is. There is no such thing as ugly. We only know of the word ugly because society has made us feel like we have to fit into a certain box – or should I say in this case, a text box.

So the next time you see a post like this, or you see somebody you know reblogging one – do take it seriously. Tell them that you disagree with the statement – send a message and tell them that they’re not ugly; tell them that they don’t have too-far-apart thighs or knobbly knees or whatever else might be listed, because promise me, they won’t expect it, but my goodness gracious they’ll appreciate it… because even if they did share it just as a joke, deep down, they probably believe it whole-heartedly.

 

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Shop Art Theft | Independent Designers vs ZARA

By August 16, 2016 Fashion

This might be a little late in terms of the general press, but in my opinion these sorts of things don’t really have a date as to which you need to speak about them, because the messages behind the issues should last for as long as possible. This time it’s art theft – more specifically design theft by huge high street names and independent designers.

shop art theft - tuesday bassen ZARA - mixed emotions club


~ MIXED EMOTIONS CLUB PIN by Tuesday Bassen (Shop Tuesday) ~


I’ve always been aware of rip-offs. In my opinion, it’s not welcome in any shape or size. There’s a great article on Business of Fashion which explains the gist of it, but basically – rip-offs and ‘inspired pieces’ (I mean those types of inspired pieces which are basically identical apart from colour and texture) kill art. They take away any form of merit for the original artist and designer, because nobody actually knows where they originate from.

It doesn’t matter if ASOS are making shoes which look similar to Valentino’s strappy and studded pair – for people who aren’t in the know, the original idea from Valentino goes unnoticed and the money goes straight to ASOS, or whatever brand it might be. You’re giving more money to the brands that don’t have much of a design team, for them to go on creating more of these unoriginal designs (or giving money to their buyers who don’t realise what they’re doing – or do, but don’t care).

Some might argue that rip-offs give a budget friendly alternative to what we find on the catwalks, but that doesn’t make it justifyable. Think of all the bags that look exactly like those Michael Kors designs, but people think they’re just from New Look? It might be cheaper, it might be a way to keep the high street full on stock (another thing that isn’t right on any level – mass consumption and production is something I’ve spoken about a lot recently) and it might spread the message of what fashion is about during the current times, but it doesn’t mean we should carry on doing it.

shop art theft - tuesday bassen ZARA - mixed emotions club

It’s even worse when it’s designs taken from smaller independent designers like Tuesday Bassen for example. Her quirky illustrative products were found in ZARA stores, but completely unlicensed – no money or credit going back to Tuesday whatsoever, because ‘they weren’t her designs’… when they look exactly the same.

It’s clear that if a ZARA (or Stradivarius, or Bershka, or Pull & Bear) consumer were shown the original design by one of the 20 or more illustrators and designers that they’d copied, against the product they were wanting to buy on the high street, they’d probably re-think their purchase. And if they didn’t – well, then they’re part of the problem.

According to this article on TheCut, ZARA was taking a lot of its ‘inspiration’ from places like Instagram and Tumblr – where Tuesday and other designers post most of their designs and products, receiving thousands of likes and plenty of interaction to get themselves under the noses of design teams from big name brands like, well, ZARA.

shop art theft - tuesday bassen ZARA - mixed emotions club

One of the most disappointing parts of the whole thing is the fact that these rip-offs are usually of a lower quality and standard, so the original artistic idea is lowered to a quality which isn’t as valued as what it actually came from. Take a look at the Mixed Emotions pin that I have above (bought directly from Tuesday’s shop, shipped from the US) and compare it to the plastic version on this Bershka sweatshirt.

Most people wouldn’t turn a blind eye to it, when really, if they wanted the real deal that will last them much longer and is supporting somebody’s career rather than a multi-million/billion pound corporation, they could just log online or head to an official stockist’s shop and buy something much more worth their while.

shop art theft - tuesday bassen ZARA - mixed emotions club

The worst thing about it though, is the response from ZARA’s legal team when Tuesday got in touch to put her foot down on what is obviously not fair…


“The lack of distinctiveness of your client’s purported designs makes it very hard to see how a significant part of the population anywhere in the world would associate the signs with Tuesday Bassen. This is our firm view, and being fully aware of the 3rd party notifications that you have brought to our attention. In this last regard, please note that such notifications amount to a handful of complaints only; when it is borne in mind that millions of users worldwide visit the respective websites monthly (Zara: 98,000,000 average monthly visits last year, Bershka: 15,000,000 average monthly visits last year), the figures clearly put those few notifications into sharp perspective.” (x)


i.e – We’re more well-known than you so, does anyone really care?
Yes actually, they do. The designers; the designer’s customers; fellow designers and social media all care. It’s been in the news and in the media so much recently that all the effected designers have teamed together with Adam J Kurtz (ZARA and Bershka both taking his designs) to create the “Shop Art Theft” website and campaign.

The main reason for a campaign being started like this, is because small independent designers and artists don’t have the back-up and legal team as the likes of ZARA. They aren’t able to afford the thousands of pounds of legal fees to defend them; so brands keep on ripping them off because they knows its very unlikely they’ll actually have to do anything about it.

shop art theft - tuesday bassen ZARA - mixed emotions club

~ QUESTIONS TO ASK YOURSELF ~

 Were you aware that this was a common issue?
When was the last time you supported an independent designer?
 Have you ever bought a rip-off?
Why did you buy the rip-off and not the original?
⬙ Do you think rip-offs are okay at all?

 Do you think ZARA’s response was good enough?
 If not – how do you think they could have responded?
 What’s more important to you; price or the original design?
⬙ Will you be supporting Shop Art Theft? If so – how? Social media? Buying the originals?

In my opinion, seeing as I’m not really shopping on the high-street anymore anyway (ethical/sustainable fashion is my jam), I’d say that you should boycott brands that see individuals and artists this way, because if that’s how they’re treating legally incorrect issues, think what their mindset is probably on things just like that – ethical and sustainable issues like their workers and factories.

If boycotting them all together isn’t what you’re interested in, then at least take a look at the Shop Art Theft site and see if there’s anything you’ve purchased from offending shops without realising, and then buy the originals. If you haven’t bought a rip-off, support the designers anyway, like I did myself. Give the money to the original artist; give them what they deserve.

The best way to look at this in my opinion is – if you’re not allowed to use images and pictures for free, why should you be able to take illustrations and designs for products for free? That’s making money off of somebody else’s hard work, which wouldn’t and shouldn’t be allowed in any other industry.

 

 

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David Bowie Is in Bologna 🇮🇹

By August 8, 2016 DIY & Lifestyle

Towards the end of last week, I was off on another trip in Italy, this time to Bologna (as well as San Marino) to visit the David Bowie Is exhibition. As soon as the tickets went on sale, we purchased them knowing that it was the last time the show was being held in Europe. I came out feeling so inspired and even more in admiration for Bowie and his work, and seeing as I can still intertwine the whole experience with fashion, I decided to write down some of my thoughts after visiting…

David Bowie Is MAMbo Bologna V&A Exhibition Review

David Bowie Is MAMbo Bologna V&A Exhibition Review

David Bowie Is MAMbo Bologna V&A Exhibition Review


location

  LOCATION: MAMbo Bologna, IT  🇮🇹


Okay let’s first of all start with the above pictures – I’ve already posted them on Twitter and Instagram and basically everywhere (including Tumblr) because they are just so magical. Shoutout to my brother for capturing such an epically timed set of photos of myself crossing the road to the MAMbo, just as a guy on his motorbike passed wearing a black star helmet. He wasn’t visiting the exhibition either just FYI – he drove past and proved that Bowie is still using his magic even now. It’s actually pretty crazy – I mean, what are the chances that someone would be passing at that exact moment with the exact same star?

Speaking of the MAMbo; that’s of course where the exhibition was held. It was a fairly big exhibition, but just the right size that if you aren’t a super fan of Bowie, you won’t get bored or uninterested. I’m not going to say I know everything and anything about the man himself, but I’ve definitely learnt a lot over the past few years with the help of my aforementioned brother, and was of course hugely hit by Bowie’s passing in January.

The cool thing about the exhibition is that you’re given a headphone and audio set that automatically plays when you walk around. It plays a mix of music, interviews and recordings, and as soon as I heard a faint whisper of a song in the first room, I could feel my emotions coming to the surface. I never really knew how much somebody I didn’t know could effect me, but I’m still not fully recovered from the news, and I’m not sure any of us will be for a while. So really, you can probably guess what it felt like to see some of his work (whether that be costumes, lyric sheets or paintings) up close and personal, just an arms stretch away.

David Bowie Is MAMbo Bologna V&A Exhibition Review


WHAT I WORE: DIY ★ Jacket // Blouse (Charity Shop) // Super Crop Top (ASOS) // Printed Trousers (ASOS Africa) // Sunglasses (Topshop – Old) // White Vagabond Dioons (Mastershoe)*


A lot of people only know certain parts of Bowie’s story, whether that be his life as Ziggy Stardust (only a very small part of his career), his acting career in films like Labyrinth, or even for younger generations, his latest albums like The Next Day and ★, but there’s so much more to him than all of that, and that’s what the exhibiton really brings to life. There’s a dedicated section to his time in Berlin in the 70s, which includes some of the artwork he produced as someone who has always had an interest in art; there’s a film room dedicated to more than just his role in Labryinth and The Man Who Fell To Earth and there’s the very first original letter which shows the change of his name from Davie to David Bowie…

David Bowie Is MAMbo Bologna V&A Exhibition Review

…and then of course, there’s the costumes. As an aspiring designer, you definitely won’t be surprised to hear how much time I took to look at each piece in detail. There’s an incredibly well preserved collection from most of his tours, including of course the more well known outfits and designs by Kansai Yamamoto (seen above – a scan from the David Bowie Is book). Seeing the textures and three dimensionality of everything really brings to life Bowie in front of your eyes, and is worth all the odd looks of being down on my knees in front of fifty odd people to inspect that knitted jumpsuit in dim lighting through a mesh panel…

…the mesh panel being in one of the most incredible rooms. A 360 degree square of lights and projections showing various concerts including the last ever for Ziggy and a performance of Heroes. I may have been in that room for longer than most, but it was genuinely breathtaking and made my heart warm when a few people started dancing – although the legend might not be with us now, it’s a time to celebrate his influence and how he’s changed the lives of many; past, present and future.

David Bowie Is MAMbo Bologna V&A Exhibition Review

I’m not sure how many times I’ve now said this, but it truly was an incredible experience. I came away feeling truly grateful of the fact I was able to see Bowie create new music and leave behind such a powerful message. There are many reasons why he has such an inspiring story, but if you really want to learn why, you’ll have to visit the exhibition yourself. It’s worth all the travelling, all the money and all the emotions you may (and probably will) experience. Even just seeing the imagery outside the museum overwhelmed me…


Have you been to the David Bowie Is exhibition? How did Bowie inspire you? Let me know in the comments!

 

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