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pen to paper interview

Pen to Paper with… Sheeza Shah of UpEffect

By May 8, 2018 Pen to Paper

‘Pen to Paper’ is a feature on TDP which involves an informal handwritten form of interview between myself and creatives –  from fashion designers, photographers, journalists, artists and musicians, to people who generally inspire me from day-to-day. 


Sheeza is the Founder and CEO of UpEffect, the platform which crowdfunds and supports emerging companies that are dedicated to improving the lives of citizens and the planet we live on.
Sheeza has a background in computer science and was named as one of the “Most Influential Women in Tech” by Computer Weekly. She was also awarded Silver at MassChallenge UK.

UPEFFECT // TWITTER // FACEBOOK


Interview with Sheeza Shah of UpEffect


~ READ THE FULL TRANSCRIPT HERE ~


I would say my blog has started to open itself to more than just fashion when it comes to discussing sustainability and this interview fits perfectly in the middle. Today I want to grab your attention and introduce you to a woman who is supporting those doing good, whether it be for fashion or lifestyle (or more!). For this edition of Pen to Paper, I interviewed Sheeza Shah of UpEffect – a crowdfunding platform with a twist.

UpEffect is a platform that is supporting social enterprises, which if you didn’t know, are businesses which reinvest their profits back into the community or for specific causes. But it’s also more than that, due to Sheeza’s commitment to supporting female-led businesses, too.

Interview with Sheeza Shah of UpEffect


By giving women more employment opportunities and skills to launch and start their own businesses. We’re working with social enterprises that prioritise giving work and training to women. We still have a long way to go but I’m so excited to see an increase in enterprises aligning their mission towards helping women reach financial independence.

One of your goals is to help all women reach financial independence - how are you helping to achieve this?

Although UpEffect isn’t specifically aimed at sustainable fashion ventures, seeing as 1 in 7 women worldwide work in the fashion industry in some shape or form, it’s reassuring to know that such a strong female voice is behind the platform that could help to push fashion in a more positive direction.

UpEffect has been behind the funding of social fashion brands though, like Thraedable, who just so happen to already be in my ethical directory.


So many! My favourites have been Thraedable and Little Difference. Thraedable uses eco-friendly clothing to share stories of migrants + shares 50% of profits from sales of their t-shirts with partner NGOs. Little Difference creates beautiful, hand designed greeting cards from recycled materials + plants a treen in Madagascar for every card sold.

What's been one of the most inspiring projects that has been supported through UpEffect?

Interview with Sheeza Shah of UpEffect

Interview with Sheeza Shah of UpEffect


From my faith – I believe each of us was put on this Earth to serve a purpose, to create value for people, to tackle community problems and present viable solutions. Islam teaches us to serve humanity and my parents constantly reminded me of this while growing up.

Where does your passion from your work come from?

A trend within the ethical sector that I’ve noticed is the fact that more often than not, the reason that projects (or brands) start-up is due to pure passion and love for what’s being done. Combining that with somebody who is leading the way in lifting those projects off the ground, is a powerful combination.

Even if this has only been a very brief introduction to Sheeza’s work, it was lovely to get to understand more about UpEffect and its plans for the future. After all, I want to embrace the essence of what she’s doing by supporting other people’s work myself…


Have you heard of UpEffect? Who do you think I should interview, next? Let me know in the comments!

 

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Pen to Paper with… Ben Akers

By February 28, 2018 Pen to Paper

‘Pen to Paper’ is a feature on TDP which involves an informal handwritten form of interview between myself and creatives –  from fashion designers, photographers, journalists, artists and musicians, to people who generally inspire me from day-to-day. 


Interview with Ben Akers - Goodfest & Slowing Down Fast Fashion

After working in the advertising industry for over 20 years, Ben Akers has in more recent times, turned to the world of sustainability to concentrate on creating positive and inspiring campaigns and documentaries.
Ben is known for his now multi-award winning documentary, “Slowing Down Fast Fashion” (with Blur’s Alex James) and will soon be running his first year of Good Fest, a festival held in Cornwall, UK.

BEN AKERS // GOODFEST // TWITTER


Interview with Ben Akers - Goodfest & Slowing Down Fast Fashion


~ READ THE FULL TRANSCRIPT HERE ~


As you should know by now, the lightbulb moment for me when it came to ethics and sustainability was when I watched the documentary, The True Cost, a few years ago after the Rana Plaza Disaster. I came away from watching it feeling saddened yet inspired because I knew from that moment on, I wouldn’t be able to rest easy simply pushing this information about the industry I loved, into the back of my mind.

Since then I’ve watched several other documentaries from different perspectives and I’ve been introduced to lots of other storytellers, including more recently, Ben Akers, who wrote and directed Slowing Down Fast Fashion a few years ago. For now though, Ben is currently working on Goodfest in Cornwall, which is his own sustainable festival coming to the southwest of England in April.


Thank you 🙂 That’s nice to hear. Well, I suppose I tried to solve the problem. Coming from an advertising background I’m a problem solver – most documentaries are made with a journalistic eye. To tell a story, I want to solve a problem so with my first doc, it was all about making a sustainable choice with the clothes we wear. With my current film: “Steve”, inspired by my childhood best friend who took his own life, I’m looking at human sustainability – how suicide is the biggest killer of men under 45 in the UK. A problem that needs solving.

Your documentary, Slowing Down Fast Fashion, came across as very relatable and easy to watch compared to others on similar topics. How did you approach it?


Interview with Ben Akers - Goodfest & Slowing Down Fast Fashion


I’m actually a bit overwhelmed by sustainability sometimes 🙂 Walking the walk not just talking it isn’t always easy. From the clothes we wear to how we bank. And many things I do still aren’t perfect, but I’m trying to win each battle when I can.

I went veggie a couple of years ago for environmental reasons, and I actually thought it was harder than it was. It was actually refreshing. I’ve had to be far more creative with what I eat, so if you haven’t yet, do it. To me, it’s about building habits, good habits that improve your life. And teach good things to my kids.

What's been one of your biggest struggles when facing the issues of sustainability? Whether that's as a creator or in your personal life?

I think what Ben has to say about switching to a vegetarian lifestyle applies to a lot of things – the task of adapting and building new habits can at first seem daunting and almost impossible but if you put your mind to it and truly understand the value in doing so, it doesn’t have to be such a challenge. I’m currently at the pescatarian stage of switching to vegetarianism myself and my family has had a similar experience; you start to become more creative in how you approach things.

Interview with Ben Akers - Goodfest & Slowing Down Fast Fashion

Interview with Ben Akers - Goodfest & Slowing Down Fast Fashion


Ah Goodfestcornwall.com – buy tickets and come – hahahaha. Well in the words of Kevin Costner in “Fields of Dreams” – “Build it and they will come” – So I’ve got 20 inspirational speakers; Tim Smit (Eden Project), JC (Founder of Movember), Zoe Robinson (Good Wardrobe), Pat Smith (Action Man). My hope is that if people see all these people then they will join the party. It’s relaxed. It’s inspirational. It’s my attempt to build a sustainable solution to ideas for good to have a home. So if anyone who is reading this is free on the 27th/28th April 2018 and wants to be a part of the solution… goodfestcornwall.com SAND, SEA & SUSTAINABILITY.

What is your aim with Goodfest and how do you hope to draw in crowds?

Watching from afar when I’m spending time in Italy, the changes and new laws and regulations being put into place in the UK right now excite me, which makes me believe that it’s currently the perfect time for an event like Goodfest. Not only do we need more people to jump onboard the train of thinking differently, we also need it to be done in an inspiring and positive manner. We need good to balance out the negativity of it all.

I’d definitely be most interested in hearing Zoe from The Good Wardrobe talk, especially seeing as a lot of her focus is on repair and upcycling.

One question I was most interested in asking Ben can be found below. Ben also explained to me that he’s worked with many different women over the years too, including former Greenpeace Head of Communications, Dae Levine – “She was amazingly inspirational on many different levels and we tackled many great projects together”.


Women are more caring. Women are more nurturing. Women often look at the bigger picture. I’m a feminist, I’m a bird with a beard. Actually, I’m extremely lucky. I have grown up surrounded by very strong intelligent women. My mum, my sister, my wife (hopefully my daughters) are all women who make me look differently at the world. I also know a load of blokes who are in “environmentalism” – but they are all similar to me. Aware of the future.

Being a dad helps. As a father of (now) 3 (my youngest daughter is now 3 months old) kids make you think more. Do more. Expect more for them. Want more for them. And as a dad, that’s my job, and to be honest it’s what that label covers. Many scientists who I read about are male. So it’s both. 

There has been research to show that environmentalism attracts mostly women. As a man, why do you think this is?



Ben’s work for Greenpeace Australia in 2013

If you have the chance, I highly recommend taking a look at Ben’s fast-fashion documentary on Amazon because as I said, it’s a surprisingly easy watch for such a hard and gritty topic to discuss. And if you’re in Cornwall… Goodfest might be worth looking into, as well.

Have you watched Slowing Down Fast Fashion? Who would you like to see me interview next? Leave a comment below. 

 

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Pen to Paper with… FUTURE GARBAGE

By January 26, 2018 Pen to Paper

‘Pen to Paper’ is a feature on TDP which involves an informal handwritten form of interview between myself and creatives –  from fashion designers, photographers, journalists, artists and musicians, to people who generally inspire me from day-to-day. 


Interview with David Olson of FUTURE GARBAGE

FUTURE GARBAGE is a part fashion, part art project created by David Olson. David is originally from Los Angeles, California but moved to Stockholm, Sweden five years ago where he now works in marketing. 
FUTURE GARBAGE started in 2017 in response to H&M’s unethical fast-fashion practices. The first collection is available now with pieces starting from $5,000.

DAVID OLSON // SHOP // INSTAGRAM


Interview with David Olson of FUTURE GARBAGE


READ THE FULL TRANSCRIPT ~


FUTURE GARBAGE created by David Olson was not something I was expecting to be so enthralled by. Often the essence of projects like these (it is essentially a project after all – perhaps a digital art installation more than anything else) don’t quite catch my attention or are simply too nuanced, leaving me feeling a little detached from the art I’m supposed to connect with.

It’s either my bias towards issues like this – the topic of fast-fashion and consumerism – or it’s the fact that David hit the nail on the head, creating something that is unique yet ultimately relatable for all who are interested in fashion and how it’s served to us in Western society.

As soon as I heard the words ‘future garbage by FUTURE GARBAGE’ spoken in a voice-over which felt eerily realistic and similar to those of chic, high-end campaigns; I was sold.

The concept is simple – what’s trendy today is trash tomorrow. We live in a world where what we’re sold will become future garbage, and I (quite obviously) agree with David that now is the time we need to change that.


We’ve known about sweatshops & 3rd-world exploitation for decades, but fast-fashion has taken them to a whole new level. And even though the internet has helped us to be better informed about the true price of our consumption, social media keeps us shopping because we feel increased pressure for our virtual personas to constantly stay “trendy”.

With future garbage, I wanted to hijack the tools of the industry to criticize its exploitative practices – whether its the exploitation of poverty in the third-world or the exploitation of our vanity/egos in the 1st-world.

Why does it feel like now is the right time to explore the issues of fast-fashion?

Interview with David Olson of FUTURE GARBAGE

Interview with David Olson of FUTURE GARBAGE


As disturbed and confused as I am by contemporary fashion & consumerism 🙂

How do you hope people come away feeling after experiencing FUTURE GARBAGE?

One thing that you’ll notice when browsing the FUTURE GARBAGE site and perusing the collection is that the prices for each garment seem to be absurdly overpriced. I knew straight away that this wasn’t a literal price tag; this was a statement about what we expect from our clothes in a world where brands like H&M exist.

In my communications with David, he explained it as a commentary on fast-fashion. Prices may be low but there is still a high-profit margin due to the fact that wages along the supply chain are extremely low.

Interview with David Olson of FUTURE GARBAGE

However, David (in his own words) is a “westerner” who has a different “standard of life” than people in third world countries making sweatshop wages.

The price, therefore, reflects that. David asked himself how much profit – he, a middle-class westerner – should be making if “a shirt made by someone who earns $2/day costs $10”. What does that price look like for him? Roughly $10,000 for a denim jacket. Shocked? Well, that’s the point too. How much are you really willing to pay for something in a world where we’re so accustomed to low prices?


Any $$$ that I make with FG I plan to re-invest in the project. I’m not a CEO or politician or even an “influencer” so it’s not really possible for me to initiate any real change. So the best I can do is try to share my ideas and encourage others to reflect on the issues that concern me, in hopes that more people will start to demand real change. Of course, we have a long way to go, but I plan to contribute in whatever ways that I can. And there’s still a shitload more future garbage to be made 🙂

Although the $10,000 price tag is more of a statement than anything else - what would you do with the money if somebody decided to buy an item?

Interview with David Olson of FUTURE GARBAGE


Any way they want!!! The problem isn’t in how to introduce these practices, but rather whether they’re willing to make a sacrifice in order to help others. The most difficult part of making a “difference” is being okay with something DIFFERENT (such as, being less rich). Change itself is not hard to do. It’s being willing to accept change (TRUE CHANGE! not just superficial ones) that’s the tricky part…

How do you think brands or celebrities should go about introducing ethics and sustainability into the mainstream?

David hasn’t just covered the usual aspects of ethics and sustainability though, he’s also covered the issues surrounding diversity and feminism which is refreshing (although it shouldn’t be; these things are vital and should be factored in no matter what).

One of my favourite pieces of FUTURE GARBAGE ‘propaganda’ involves David touching upon the hypocrisy that can be found with the likes of Beyonce – if girls run the world and if her Ivy Park collection is supposed to empower women, how come the female workers who produce her sportswear, are suffering? 

Interview with David Olson of FUTURE GARBAGE

One of the other short films created for ‘future garbage by FUTURE GARBAGE’ centres around David himself, dressed up as a woman. The voice-over says, “Look, everyone, it’s a transgender model. Or maybe a drag-queen. We’re not really sure, I don’t think we ever asked.”, highlighting the fact that the fast-fashion industry is not only ignorant to just garment workers; it’s even ignorant to understanding those who they choose to dress.

If ethics are to do with morals – then when we talk about ethical fashion it has to mean more than just a vague statement or policy here and there. It needs to mean complete change overall and it needs to happen now. Or yesterday. Definitely, yesterday. 


What do you think of FUTURE GARBAGE? How much are you willing to pay for a piece from the collection? Let’s discuss in the comments. 

 

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Pen to Paper Interview with… Natalie Grillon of Project JUST

By May 22, 2017 Pen to Paper

‘Pen to Paper’ is a feature on TDP which involves an informal handwritten form of interview between myself and creatives –  from fashion designers, photographers, journalists, artists and musicians, to people who generally inspire me from day-to-day. 


Natalie Grillon - Project Just

Project JUST is building a community to help consumers change the way they shop for clothing. The online platform features a brand wiki where shoppers can search a brand and access profiles researched by ethical, social, and environmental factors and a Seal of Approval, awarded to the best brands in the industry. Project JUST also publishes a series of fashion-focused content including shopper profiles, supply chain investigations, garment worker profiles, city shopping guides and styling posts to help shoppers put their values into action.

Project JUST has been featured on Refinery 29, Cosmopolitan, Take Part & ELLE.

 WEBSITE // TWITTER // FACEBOOK // INSTAGRAM // #IAMJUST


project just co-founder natalie grillon interview


~ READ THE FULL TRANSCRIPT ~


I believe I discovered Project JUST last year when researching ethical directories. It was when I’d just started to really delve into the world of brands dedicated to ethics and sustainability. There are a handful of excellent resources out there, it just takes a bit of digging but none of them were quite what I was looking for, especially as somebody who is attracted to simple, eye-catching websites and easy to browse platforms. I was rather relieved when Project JUST came up on my browser because it ticks all of those boxes and isn’t just a directory. It really is a resource.

As with many recent ethical fashion related initiatives, Project JUST started after the Rana Plaza collapse of spring 2013 and has now grown into a well-respected platform which connects consumers with stories behind the brands they shop from, and not just ones which are typically known to be ethical. If you want to learn more about the Primark’s and ASOS’s of the world, Project JUST is a great place to start for clear and concise information.


Not enough space! My handwriting is BIG. Started in 2013 to help consumers learn the stories behind their clothes, launched site in Dec 2015.

Why and how did Project JUST begin?


project just co-founder natalie grillon interview

project just co-founder natalie grillon interview


How automatic many of our behaviours are – it’s a journey to empower a consumer to change the way they shop – it doesn’t happen overnight.

What's the most eye-opening thing you've learned since launching?


Listening to Natalie and other co-founder, Shahd AlShehail, discuss Project JUST on Kestrel Jenkin’s Conscious Chatter podcast was rather insightful and as I’ve said before, I would highly recommend giving Kestrel’s podcast a listen and not just for that episode alone.

Not only does Project JUST list out pros and cons for different brands, it also has a great “slang” dictionary for those of you wanting to scrap up on your ethical and sustainable lingo.


Price and sometimes design. Consumers need to have a product that matches style, size, price and then sustainability.

What do you think stops the everyday consumer from shopping with ethical brands?


project just co-founder natalie grillon interview

project just co-founder natalie grillon interview


If you must buy, buy vintage or quality (and wash your clothes less ) 

What is one thing we can all be doing to become better consumers?


As I often tend to reiterate around here, small steps lead to greater things which I believe comes through in Natalie’s answers. Being conscious and educating yourself is putting yourself on the right path to learning more about the stories behind your clothes. We wear them every day, don’t we?

As the site is also a bit of a community, I recently took part in the #IAMJUST interview series which is a bit like Pen to Paper. Head over to read through my own handwritten answers and discover Project JUST for yourself!

(I was kindly gifted a free annual membership to Project JUST’s directory, however, this interview had been set-up in advance and all opinions are my own!) 

 

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Pen to Paper Interview with… Heather Knight of Fashion Revolution

By April 4, 2017 Ethical, Pen to Paper

‘Pen to Paper’ is a feature on TDP which involves an informal handwritten form of interview between myself and creatives –  from fashion designers, photographers, journalists, artists and musicians, to people who generally inspire me from day-to-day. 


Fashion Revolution 2017 - Heather Knight Interview

Fashion Revolution began after the Rana Plaza factory collapsed on April 24th, 2013, in order to push brands and open up the conversation about the real issues within the fast-fashion industry. Fashion Revolution helps consumers understand what is going on behind the label, inspiring them to create change and ask questions.
Heather Knight heads up the branding and communications for Fashion Revolution. She makes sure everything looks good and sounds great, from Fashion Revolution campaign materials, fanzines and reports, to website, social media and newsletters. She believes in the power of creativity to make an idea irresistible, and the ability of communications to inspire real change.

 WEBSITE // TWITTER // FACEBOOK // INSTAGRAM // ZINE


Fashion Revolution 2017 - Heather Knight Interview


~ READ THE FULL TRANSCRIPT ~


If you’ve been reading my blog for long enough then you would have read the words ‘Fashion Revolution’ a hundred times over by now. It’s one of the most influential campaigns regarding the fashion industry and I couldn’t be more honoured to be connected to the team in some way. They’re all truly passionate about the work they do and supporting them is one of the easiest decisions I’ve ever had to make.

With Fashion Revolution Week just around the corner (April 24th – April 30th), I thought it would be a great way to start my Pen to Paper series back up and get some direct answers from Heather Knight, who heads up branding and communications.


Even in the past 4 years since Fashion Revolution began, we’ve seen a real shift… both in brands becoming more transparent and in consumers expecting and demanding transparency. There’s still a long journey ahead → We want a radical change in the way our clothes are sourced, produced and purchased, but there’s momentum to change.

What has it been like to watch the fashion industry change over the years?


Fashion Revolution 2017 - Heather Knight Interview

Fashion Revolution 2017 - Heather Knight Interview


We shouldn’t shy away from presenting the shocking, grim realities, but they should be accompanied with inspiration and action. Making people feel guilty isn’t going to change behaviours – that’s been proven not to work. Showing that ethical fashion can look good and feel good and can make your wallet (and the planet) happy is a great way to shift hearts, minds + behaviours.

Do you believe we should focus on the more positive sides of ethical fashion or do you believe talking about the harsh truths is more important?


I personally believe this is one of the reasons Fashion Revolution has been such a powerful initiative. It has opened my eyes to many of the tragedies over the past few years but it has also made me see things in a new light and made me really champion those who are behind our clothes. It’s quite incredible to think that transparency is becoming more important, showing proof that we can get the results we as consumers are now asking for.

Fashion Revolution 2017 - Heather Knight Interview


Buying from ethical brands is an option off their radar – there are misconceptions that ethical fashion is expensive, dull and ‘unfashionable’, but there are some amazing and affordable brands out there. But buying new clothes should be a last resort – there are so many better ways to update your wardrobe, from charity shopping, vintage, swapping or the clothes you already own! ↳ www.fashionrevolution.org/haulternative

What do you think stops the everyday shopper from purchasing from ethical brands?


Last year we had 1,251 brands/retailers respond with #IMadeYourClothes, and over 370 were major global brands. It was great to see G-STAR RAW respond with an interactive map and stories of their producers. American Apparel produced a video, and Marimekko dedicated part of their website to sharing stories about their producers.

With #whomademyclothes, what brands have had the best responses overall?


Fashion Revolution 2017 - Heather Knight Interview


We want to see even more people participating, asking #WhoMadeMyClothes and more brands than ever replying with #IMadeYourClothes and demonstrating transparency in their supply chain. We want a BIGGER LOUDER Fashion Revolution that reaches more people in more countries around the world, inspiring people to think differently about the clothes they buy and wear.

What are your goals for Fashion Revolution in 2017? What can we all do to support it?


GET INVOLVED: www.fashionrevolution.org/get-involved

Thank you so much to Heather for answering some questions, especially when we’re just 20 days away from the big week of pushing for change. Make sure to get involved as much as you can and follow Fashion Revolution throughout the year too. I know I will!


(Images courtesy of Fashion Revolution)


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Pen to Paper Interview with… Rankin

By March 17, 2016 Pen to Paper

‘Pen to Paper’ is a new feature on TDP, which involves an informal handwritten form of interview between myself and creatives –  from fashion designers, photographers, journalists, artists and musicians, to people who generally inspire me from day-to-day. 


Interview with Rankin Fashion PhotographerRankin is a fashion photographer who made his name through the publishing world after founding the well-known fashion and culture magazine, Dazed & Confused, alongside Jefferson Hack back in 1992. The magazine was a way to showcase emerging talent including fellow photographers. Rankin has shot for many well known brands (Nike, Dove, L’Oreal and Belstaff to name a few), magazines (ELLE, VOGUE, GQ, Harper’s Bazaar), names and faces (the Queen, Vivienne Westwood and David Bowie are among the list).
He has 30 published books to his name including F*ck Y*u” which is a collection of celebrity portraits which make a bold statement. Rankin is also known for his popular fashion and photography magazine, Hunger. His work has inspired many due to the strong impact that each piece makes and many of his projects have an inspirational story behind them.

 WEBSITE // TWITTER // FACEBOOK // INSTAGRAM


Rankin Interview blog


~ READ THE FULL TRANSCRIPT ~
Handwritten on behalf of Rankin by Nick Forbes Watson (Assistant Producer)


Ever since I discovered fashion, I’ve always been interested in the photography side of things, and I’ve always been a fan of Rankin’s work, so to be able to have some inside knowledge from the man himself is quite an exciting thought. I’ve actually been working on this piece for a while now so I hope that the few questions that I do have answered, are ones that you can all take from.

In this day and age where photography is such a broad term, I thought it would be really interesting to find out what Rankin’s ideas are on social media and how it works within the industry, as well as his thoughts on very important topics and debates as someone who sees them from both sides. If you want to see all of his answers fully transcribed then click here or on the link above.


I think apps like Instagram make real photography even more of an art form. The really good photos rise to the top and you can see who is talented and who has an eye. But I guess it depends on your take on photography. Some people want it to have lots of meaning, some just want it to make them feel or think something. I’m in the latter camp.

In this digital world with apps like Instagram, do you think photography is still portrayed as an art form?

© Rankin Photography Alexander McQueen Portrait - Interview with Rankin


Alexander McQueen ~ Matthew Beard ~ Bjork


© Rankin Photography Bjork Collage - Interview with Rankin


The next picture is always challenging, because you are always chasing something that is almost impossible to create or predict. You want the next photo to be the one, the image that captures the moment. The moment that becomes a xx in history.

As a photographer, what challenges you the most?

What I find interesting about Rankin’s work is how honest it is. Often his work is there to make a statement but the way he encapsulates it is always in such a strong and empowering way. His photographs draw you in, in a way that I haven’t really ever seen before. It sounds rather over dramatic but really, if you compare his work to other fellow photographers, you’ll see what I mean.

© Rankin Photography Hunger Magazine Cover - Interview with Rankin


I think it’s more a fight than a debate and I think we should keep fighting for more diversity in modeling and representation. It can be frustrating how narrow it can all be, but it’s getting better. I want to help make it better.

As you are behind the lens, what are your thoughts on the fashion industry’s “skinny model” debate?

Photography used to be integral to the fashion industry; it was the lens through which the fashion house created dreams. That is shifting, with film, blogs, intstagram and social media. But the photo still shows a world that people want to dive in to. That means it’s got a few years left, as fashion at it’s most seductive sells you a dream and photography does that so well.

How much does photography influence the fashion industry?

I also love what he’s said about diversity. It really is true that it’s more of a fight about the whole spectrum of acceptance whether that’s racially or to do with size and shape and I’m interested to see where he’ll go in the future when it comes to making it better. It’s also interesting what he says about fashion selling you a dream. Although having campaigns about airbrushing is all well and good, maybe we really should step out and dream a little? We all have fantasies and ideas of perfection… perhaps it’s more about defining a new kind of fantasy as the new generations catch up with what’s up.

As somebody who has started to appreciate photography more as a whole, it’s been a big honour to put this piece together, especially as it’s somebody who I’ve always admired. I’ve actually been given the opportunity to meet Rankin twice before but both times I’ve had to turn it down, so perhaps after this, it will be third time lucky! Big thanks to the Rankin team for all the support too. I know all of you (my readers) will appreciate it.


(ALL IMAGES ARE COPYRIGHT OF © RANKIN


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Pen to Paper Interview with… Renata Morales

By January 7, 2016 Pen to Paper

‘Pen to Paper’ is a new feature on TDP, which involves an informal handwritten form of interview between myself and creatives –  from fashion designers, photographers, journalists, artists and musicians, to people who generally inspire me from day-to-day. 


Renata Morales Interview - Arcade Fire Costume Designer - Pen to Paper

Renata Morales is a textile and visual artist who has designed costumes and stage outfits for such artists and bands as Arcade Fire and Grimes. Her work is a mixture of texture and movement, and is a great place to start when looking at the deeper more abstract side of design and the inspirations behind certain concepts. Some of her more notable (costume) works can be seen in videos such as Sprawl II and Reflektor (by Arcade Fire), and even a Spike Jonze directed short-film (for Arcade Fire) called Scenes from The Suburbs.

 WEBSITE // TWITTER // FACEBOOK // INSTAGRAM

renata morales2

 


Renata Morales Interview - Arcade Fire Costume Designer - Pen to Paper


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